Artist, writer, cartoonist, playwright, director etc. Dean Haspiel rejoins the show to talk why he's launched his first Kickstarter (open through 3/30/23) to support a new comic, COVID Cop (think "unholy but hilarious combo of Judge Dredd, The Toxic Avenger, Sin City, and Marshal Law")! We get into how his approach to storytelling has changed in recent years, how he felt about the COVID-delayed debut of his play The War Of Woo, the thrill of making his short movie There Is No Try, and what it's like to work in hyper-collaborative mediums like theater & film. We also talk about the experience of drawing Superman at Yaddo, why he needed to revisit his pitch for COVID Cop now that we're semisorta past the worst of the pandemic, returning to his fave character, Billy Dogma, and wrapping up one phase of his The Red Hook series, the influence of Kyle Baker's Why I Hate Saturn on his upcoming work, the experience of mentoring comics artists at Atlantic Center for the Arts last month, his take on AI art for comics, and a lot more. Follow Dean on Twitter, Facebook, Instagram, and Substack, and support his Patreon • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Author, critic, professor and now biographer Willard Spiegelman rejoins the show to talk about his amazing new book, NOTHING STAYS PUT: The Life and Poetry of Amy Clampitt (Knopf). We get into his winding history with Amy Clampitt, why he thought a biography of her would be impossible and why he decided to write it anyway, what made her poems so special, and what it was like to have such a late-blooming career (she first published at 58). We talk about the learning curve of writing his first (and only) biography, why he thinks Clampitt stubbornly stuck with prose instead of poetry for decades (and why she stuck with a terrible play about the Wordsworth circle in her last few years), how coastal Maine helped her write about her home prairies of Iowa, and why Willard choose to use the poems to expand on phases of her life from decades earlier. Plus we discuss Clampitt's resonances with Emily Dickinson, the epiphany she had at the Cloisters that started her on the path to poetry, her spiritual and political engagement and how she felt about being a "female poet", and her enthusiasm for enthusiasm. Plus, Willard looks back at the 10 years since we first recorded! • Listen to my conversations with Willard from 2013, 2016, and 2018 • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Matt Ruff rejoins the show to celebrate his fantastic new book, THE DESTROYER OF WORLDS: A Return To Lovecraft Country (Harper). We talk about his reason for doing a sequel to his best-known novel, Lovecraft Country, why he'd love to continue the story for a few more books, and what it means to carry on his characters' stories. We also get into the experience of seeing Lovecraft Country adapted into an HBO series and how its departure from his book thrilled him, the importance of not letting the present influence his writing of the past (and whether the George Floyd protests influenced his writing of his African-American protagonists this time around), and the many ways he could have died while visiting the Great Dismal Swamp to research for this book. Plus, we discuss screenwriting, the different structure this novel has from its previous one, why the quiet moments of conversation are the most important in the book, whether it's unfair that it takes him 3-4 years to write a book that takes me 3-4 hours to read/devour, and more. Follow Matt on Twitter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Legendary artist and illustrator James McMullan joins the show to celebrate his new book, HELLO WORLD: The Body Speaks in the Drawings of Men (Pointed Lead Press). We talk about James' three-plus decades of posters for Lincoln Center Theater, the importance of the human figure in his art, how drawing with color opened a more expressive channel for him, and why Hello World is his most personal project (even more than his memoir). We get into the intersection of illustration & fine art and whether he resented being overlooked by the museum set, the experience of making more than 90 (!) posters for Lincoln Center Theater over the decades and helping define NYC theater (despite being neither "a New York guy" nor a hardcore theater-goer), how he makes his art in a perpetual state of risk and being willing to let that risk show, the ways his literary reading feeds his art and vice versa, and how he invested $11,000 in a supply of his favorite paper a dozen years ago and how it feels to reach the last of it. Plus, we discuss his High Focus Drawing approach, the gestalt between model and artist, how it felt to be a 'sissy kid' who found power in art, why he shows feet when everyone else is focused on the intimacy of close-up faces, and a lot more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With his fantastic new graphic novel, Why Don't You Love Me? (Drawn & Quarterly), cartoonist Paul B. Rainey has crafted a deeply human story out of a deeply weird premise, taking the reader from bleak, black humor to the most heartfelt moment of connection. We get into the challenges of serializing this story over 6-plus years, the ways in which science fiction can help us reframe our day-to-day lives, the midlife meltdown that led to the creation of My Imaginary Band, and the ways Why Don't You Love Me? explores what it's like to look at one's life and ask, "How did I get here?" We also talk about the perils of writing a story with such a great twist that it's difficult to talk about (spoiler alert!), the amazing experience of being published by D&Q after years of self-publishing his comics, the amazing experience of getting a blurb from Neil Gaiman, why he's never watched Groundhog Day, how Planet of the Apes either ruined or fulfilled his life, how he finally came around on Krazy Kat, and a lot more. Follow Paul on Twitter and Instagram and check out his shop • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Artist and illustrator Thomas Woodruff joins the show to celebrate his amazing new graphic opera, Francis Rothbart! The Tale of a Fastidious Feral (Fantagraphics). We get into how Chris Ware's Jimmy Corrigan floored him and inspired him to make this 300-page extravaganza, what it was like to finally make a comic after decades of critiquing them in his role at the School of Visual Arts, and how living through the AIDS crisis forced an emotionalism into his art. We talk about the terrible glamour of his art, his predilection for making series of works (like his 365 paintings of apples and his ongoing series of apocalyptic, graceful dinosaur paintings), the virtues of carbon pencil and his hunt for the last supply of his favorite paper, and why he treats teaching drawing is like a religious rite. We also discuss his legacy vis-a-vis the students he taught and the programs he built, his philosophy of using the same model for a full year of drawing classes, the story of his first tattoo and the apotropaic act, the difference between having a sensibility vs. a style, why he retired from SVA after 20 years of chairing the Illustration and Cartooning departments, how students changed over that span, the mind-melting experience of watching Diver Dan as a child, The Next Project, and more! Follow Thomas on Instagram and at Vito Schnabel Gallery • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Author Dawn Raffel rejoins the show to celebrate her wonderful new book, Boundless As The Sky (Sagging Meniscus Press), a gorgeous series of stories & a novella that take us from Invisible Cities to the 1933 Chicago World's Fair. We talk about how Dawn's previous nonfiction book, The Strange Case of Dr. Couney, led into this new book, how she became obsessed with the Century of Progress World's Fair (and how she wishes she could have asked her parents about visiting it in their youth), why Chicago was always her Emerald City, and how NYC has transformed over the decades she's lived here. We also get into the strong influence of Invisible Cities on her book and how she felt about writing a feminine/feminist response to Calvino, how the two parts of Boundless As The Sky — stories, novella — talk to each other, the twin writing-joys of unexpected resonances and sentence-building, and how incorporating Yoga Nidra offers new approaches to writing workshops. We also get into her recent trip to Kenya for International Literary Seminars, her pandemic Zoom writing-accountability partners, how she finally got around to reading Moby-Dick (and what she made of it), and a lot more. Follow Dawn on Twitter and Instagram and go listen to our 2019 conversation • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Acclaimed translator Ross Benjamin returns to the show to celebrate the publication of The Diaries of Franz Kafka (Schocken Books). We get into the twisted history of the diaries, Ross' monumental achievement of bringing them into English, the how ambiguity and circularity pervade Kafka's very language, and the question of whether one can be qualified for this sort of task before actually doing it. We also talk about how this edition restores the bodily, sensual, sexual, and public-facing Kafka (& speculate on why K's literary executor, Max Brod, bowdlerized the diaries in their initial incarnation), what it was like to translate the private writings of someone who was the personification of ambivalence, what the process taught Ross about his own life and how it revealed new aspects of Kafka to him, and what it's like to catch Kafka in the act of writing. Plus, we discuss the feeling of accomplishing a dream project like this by the age of 40 and having the sense that he's served the purpose he was meant for (which leads to the question of What Comes Next), the blurbs that made him plotz and the post-pub tribute from his daughter that brought him to tears, and a lot more. Follow Ross on Twitter and Instagram and go listen to our 2016 conversation • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and subscribe to our Substack

Author Sara Lippmann returns to The Virtual Memories Show after almost a decade to celebrate her debut novel, LECH (Tortoise Books). We talk about how she had to move out of her comfort zone of short fiction (see her collections Doll Palace and Jerks) to write a novel, whether she felt guilty teaching a course on novel-writing before she'd finished her first one, the research that went into writing a book about the Catskills in decline, and what it means to find the right container for a story. We also get into the book's title, and how it plays off of the Biblical notion of Lech Lecha ("go forth") and the tradition of novels named after their protagonists' last names (Herzog, Stern, Jernigan), and how LECH looks at those books through a feminist lens. On top of that, we discuss the silliness of "literary immortality" and what it means that almost no one reads Saul Bellow anymore, my absolutely ingenious idea for changing the nature of my podcast, how she took up running at 40 to combat depression, the moment she learned to stop caring about external validation, and the new novel she's working on. Oh, and I stupidly ask her for a writing prompt. Follow Sara on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

Let's kick off 2023 with . . . me! I My long-time pal Aaron Finkelstein returns to interview me for what we've decided to make an annual Virtual Memories tradition. Listen to Two Gentlemen With The 'Rona (okay, he's recovering, but I tested positive a few days earlier) check in on the changes a year has wrought. We get into how a Yom Kippur fast sent me on some strange paths, how our cultural touchstones mark us, what it means to be fair to our college-aged selves, and the one Watchmen character I never identified with. Along the way, we work through some of my personal failings and my ego-vanity complex, the analog/digital tightrope, whether bookishness is something we need to get over, and a LOT more, including an intro about my end-of-year COVID experience. • Follow Aaron on Instagram and follow me on Substack, Mastodon, Instagram and Twitter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal