With DEATH TRIP: A Post-Holocaust Psychedelic Memoir (Spiral Path Collective Press), Seth Lorinczi explores how trauma can be transmitted over generations, and how an ancient (& new) form of treatment can help overcome it. We talk about finding his family's story of the Holocaust, trying to understand why so much of it stayed hidden, how badly it warped his life, and how he & his wife found answers in psychedelic medicine (MDMA, ayahuasca, toad (!)). We get into the long-term damage of unmetabolized trauma and untouched grief, how psychedelics allowed him to recognize patterns in his life, family history, and the universe, the challenges of researching his family's Holocaust experience in Hungary, how his experiences led to a memoir (& a saved marriage), why Death Trip is a series of surrenders, how his close and distant relatives responded to the book, and why he thinks I should leapfrog therapy and try psychedelics first. We also discuss growing up in the punk scene of Washington, DC (and writing his next book about that), how coincidence becomes important after psychedelic experiences, how some married couples take up salsa dancing but he & his wife took up ayahuasca, how his daughter responded to all this, whether a person can change, how once you get the message you should put down the phone, and a lot more. Follow Seth on Instagram and subscribe to his Dispatches From The Fringe newsletter • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With NAPLES 1925: Adorno, Benjamin, and the Summer That Made Critical Theory (Yale University Press, tr. Shelley Frisch), Martin Mittelmeier traces the roots of the Frankfurt School in southern Italy. We talk about the epiphany on the lip of a volcano in Lanzerote that brought this book to life, the years he spent poring over Theodor Adorno's writing (and the temptation to mimic Adorno's style), how Walter Benjamin's principle of porosity arose from both the tuff stone & the way of living of Naples, and the challenge of evoking the Naples of a century ago and how it led to a theory of society. We get into Critical Theory's attempts at understanding populism and oligarchic takeovers and why Adorno is having A Moment in Germany, the fun of speculating about meetings among great thinkers — yeah, I get into George Orwell, Henry Miller, and Inside the Whale —, the utopian aspect of local life in Naples and Capri, the complexities of reputation and destiny, and whether Critical Theory can hold up during the hyper-internet era. We also discuss the difficulties of translation with critical theory's associative language, why I need to read Hernán Diaz' Trust, his new work about Thomas Mann working with Adorno on Doctor Faustus in Pacific Palisades (a.k.a. Weimar Under The Palm Trees), how he's changed in the decade-plus since writing the book, and more. • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Can LA private detective Happy Doll live up to the Four Noble Truths and escape the cycle of Samsara? Jonathan Ames returns to the show to help answer that question and celebrate his new novel, KARMA DOLL (Mulholland Books)! We talk about the joy of reading (& writing) page-turners, how his lead character Happy Doll has evolved over three novels (so far!), what it's like bringing Buddhism into a detective novel, and how his (& Happy's) LA has changed since he began this series. We get into how he managed to avoid writing about the worst days of the pandemic while keeping Karma Doll contemporary, how writing the Doll novels has affected his understanding of Buddhism, and how he's living up to the lesson he always gave students: write what you love. We also discuss TV writing and how it took him away from prose-writing for a decade or so, the need to make art and the transitoriness of bliss, how the LA fires left him driving all over the place like he was in a Lew Archer novel, his fave reads & TV shows, how we both played with dolls as kids in the woods of northern NJ, and a lot more. Follow Jonathan on Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With his latest book, THE DRIVING MACHINE: A Design History of the Car (Norton), architect and architecture & design writer Witold Rybczynski explores how cars evolved from their earliest days through the befuddling styles of today's EVs. We get into the design language of cars and how it had no true precedent, why European styles were so different and varied than America's, his favorite era for car design, and the differences between writing about cars and writing about buildings. We talk about the cars in his life and how he integrated them into The Driving Machine's narrative (including the Mercedes that lasted him 25 years), the lives of the engineers & car-company founders he explored for the book, what he learned by drawing the book's car-illustrations himself, and how drawing all those cars brought him back to his youth. We also discuss the new book he's writing about his dissatisfaction with contemporary architecture, how it resulted from a Chat-GPT 'hallucination,' the cycles of architecture & the death of architecture criticism, the (sorta) imaginary house he designed for himself, and more. More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter