Writer, musician and composer Howard Fishman joins the show to celebrate his amazing new book, TO ANYONE WHO EVER ASKS: The Life, Music and Mystery of Connie Converse (Dutton). We get into how he discovered the music of the enigmatic Connie Converse, when he realized her life was a rabbit hole that would take more than a decade to delve through, what it was like to write a biography around the gaps in her life, and the sheer amount of chance, happenstance, and miraculous occurrences that led to this book. We talk about how Connie Converse arose as a singer-songwriter in 1950s NYC (maybe) just a few years ahead of her time, her subsequent role as a public intellectual and progressive activist, her Cassandra-like nature, the analytical mind she brought to music, policy, and every other topic in her life, and how she vanished without a trace in the mid-'70s. We also discuss his time as a research assistant for NYT editor Arthur Gelb, how his idea of artistic legacy changed in light of learning Connie Converse's story, the relationship between artist and audience (and the Cat Stevens story that first brought him to my attention), what it means to renounce one's art, how he tried to do justice to the Connie Converse story, and a lot more. Follow Howard on Twitter, Instagram, YouTube, and Bandcamp • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

During Readercon weekend, Christopher Brown rejoined the show for our first conversation since the 2020 release of his novel Failed State. We talk about the nonfiction project he's working on, tentatively titled THE SECRET HISTORY OF EMPTY LOTS, the surprising reach of his FIELD NOTES weekly newsletter, tribes' creation myths and how they manage to justify dominion over the land, why the outdoors is one of America's most segregated spaces, and why he thinks calling Washington, DC "The Swamp" is an insult to swamps. We get into the differences and similarities between his fiction and nature writing, the impact of Tesla and the Gigafactory on life in/around Austin, TX (esp. for its neighbors in unincorporated land), the tensions of child-rearing at a time of ecological disaster, what it means to read science fiction through nature-lens (esp. Annihilation and Neuromancer), the natural world's response to COVID lockdowns and capital's post-COVID snapback, and what it was like to vacation in South Padre Island, TX during the hottest week in history. Plus, we discuss the fun of coming back to Readercon, the old semi-hip days of psychogeography, our backup plans to bug out of the failed state, and plenty more. (And go listen to our past talks: 2018, 2019, 2020 + COVID Check-In) Follow Chris on Twitter, Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Writer, graphic designer, typographer, illustrator, comics writer/artist, and photographer Rian Hughes rejoins the show to celebrate the US release of his fantastic novel, The Black Locomotive (Pan Macmillan). We talk about how he wanted to follow up 2020's XX with something more plot-driven & less philosophical and wound up celebrating his love affair with London while getting in touch with his inner JG Ballard. We get into his integration of prose, typography, and graphic design in the new book, what he's learned about writing (and the new novel he's working on), the nature of font-design (and the real difference between sans-serif & serif fonts), and what he thinks about AI image-generation and its impact on creative fields (and what it says about popular tastes). We also discuss Rayguns & Rocketships, the recent book of his collection of vintage science fiction book cover art, the collector impulse and how to short-circuit it, the fun of writing the song for a fictional club of train aficionados & having his sister set it to music (and then hearing it remixed by Scott Hoffman), his fear of accidentally kicking off a flamewar among stream-train enthusiasts, and a LOT more. Follow Rian on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With the publication of The Second Fake Death of Eddie Campbell (Top Shelf), the great cartoonist Eddie Campbell brings his decades-long autobiographical comics project into the COVID era. In this return conversation (go listen to our 2018 episode & our 2020 COVID check-in) we talk about the meta-narratives that haunt his books, the culture of masks that prompted his latest work, how it felt getting back to making long-form comics again, and whose idea it was to publish this one like an Ace Double along with the revised version of The Fate Of The Artist. We also get into how he learned to make art with computers and how that learning curve accelerated when he was making the color version of From Hell, the temptation to revise past work, why his last two major autobio books involve his fictional death, and a lot more. Follow Eddie on Twitter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

No show this week, but here's a bonus episode with my impromptu speech at the remembrance/memorial for the late Michael Denneny, recorded June 19, 2023. Michael & I were supposed to record a podcast on April 15 about his collection, On Christopher Street (U of Chicago), but he was dead when I arrived at his apartment. I recorded a wrenching monologue about that discovery the next day, and a followup a week later, so this piece serves as a sort of coda to that, and a celebration of all Michael meant to the literary and gay communities. We'll be back next week.