Mon, 31 March 2014
Tova Mirvis joins The Virtual Memories Show to talk about her brand-new novel, Visible City and how she learned to act on her unhappiness, as well as the lifelong advice she got from Mary Gordon, the ways that writing a book is like building a stained-glass window, why being an orthodox Jew in Memphis wasn't just like Designing Women with better wigs, and the advantages of being offline for a week when the New York Times publishes your op-ed about getting divorced.
"I set up a scenario where all of my characters were unhappy in one way or another, and they were all watching other people, as opposed to looking inward at their own lives. I didn't know what people do about that. I was writing a realistic novel, but part of me believed that no one actually acts on their unhappiness."
We also talk about how one person’s urge to freedom is another person’s betrayal, why Visible City took her 10 years to write, what you can discover about yourself in your 40s and what you can leave behind, and the varieties of religious experience (ours, not William James’).
"Orthodox Judaism and southern culture meld beautifully. In the south, there's a way we do things and a way we don't do things. And it's the same in orthodox Judaism. They're both very well-structured worlds. I grew up as a sort of cocktail of those two worlds."
BONUS! You also get my essay/monologue about Jews & Geordies!
Mon, 24 March 2014
“Claressa Shields was the first boxer who showed me that women can be artists in the ring, like men. It was kind of like the first time I read Virginia Woolf."
Essayist, boxer, novelist, chef and more, Sarah Deming joins The Virtual Memories Show to talk about yoga’s role as a gateway drug into boxing, winning a Golden Gloves tournament, the joys of watching a great fighter, her literary idols, the miracle of Bernard Hopkins' longevity, and how she found her soul.
“I really like the people who write about boxing with empathy. There's a lot of subtly disrespectful boxing writing. I think it's essentially because of the threat the intellectual feels from the athlete, and I think racism underlies it, too."
We also talk about the spiteful inspiration for her first novel, the thread connecting boxers and adult film stars, the magic in the mundane, and why it's almost impossible to write something boring about sex or a fight! Give it a listen! And check out these wonderful essays she wrote on skydiving and vodka-peddling!
Direct download: Season_4_Episode_11_-_Stick_and_Move.mp3
Category: -- posted at: 8:37pm EDT
Sun, 16 March 2014
“There's a sort of romance in riding a bicycle across the country. It's something that some people would fantasize about, and when they saw me ride into their town, it brought them back to their own dreams, their own wishes about what they wanted to fill their life with."
Maya Stein is a poet, a teacher, a photographer, and more. We sat down in her restored trailer, M.A.U.D.E. (Mobile Art Unit Designed for Everyone), to talk about her life as an artist, how she built an audience for her work over the years, how she got the idea to ride a bicycle (towing a typewriter, folding table and folding chair) from Massachusetts to Wisconsin, and how she got that Type Rider journey funded on Kickstarter.
“I think about 'making a living' as 'making a life'. I don't think about money being the driving force behind the decisions I make as a writer or artist."
We also talk about writing prompts, her new initiative to build Little Free Libraries via Type Rider II, and her epiphany in Elkhart, Indiana. And you get to hear my theory on how the internet makes us all normal (except for the crazy people)! Give it a listen!
About our Guest
Maya Stein is a Ninja poet, writing guide, and creative adventuress. Among her latest escapades are a 1,200-mile bicycle journey with a typewriter, a cross-country poetry trip, a French crepe stand at a Massachusetts farmers market, a relocation from San Francisco to suburban New Jersey and most recently, a collaboration — Food for the Soul Train — turning a vintage trailer into a mobile creative workshop space. (She also ran a catering business for six years and specialized in hors d’oeuvres and the finer points of napkin folding.) Her favorite body part is her left hand, as it has gifted her with the ability to sink a nearly invincible hook shot, peel a whole apple without a break, and transcribe the poems living in her heart. You can learn more about Maya’s adventures at www.mayastein.com.
Credits: This episode’s music is Typewriter (Tip Tip Tip) by Kisore Kumar & Asha Bhosle. The conversation was recorded at M.A.U.D.E on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. There was a space heater going, so I used a noise removal filter in Audacity. Photo of Ms. Stein (solo) by me, and photo of Ms. Stein and me by Amy Roth.
Direct download: Season_4_Episode_10_-_The_Stars_Have_Anemia.mp3
Category: -- posted at: 8:35pm EDT
Mon, 10 March 2014
"We move through a human-centric world as if that is reality, but we're surrounded by other species, and their species is centric to their world. I'm interested in how that works, not in humanizing other animals."
In honor of K-9 Veterans Day, our guests are Sheila Keenan and Nathan Fox, the writer and the artist behind Dogs of War, a YA graphic novel about dogs on the battlefield. We talk about their collaborative process and how it developed over the course of this project, as well as the challenges of writing about war for a YA audience, how the trajectory of dog use parallels the development of military technology, and the ways that our empathy for animals can help us better understand the cost of conflict.
"I want the power of time and imagination that resides in the white space between panels."
Also, find out about their circuitous paths to comics, the alchemy of a writer's vision interpreted by an artist, why Nathan launched an MFA program at the School of Visual Arts, and how Sheila’s husband wooed her with a page of Love & Rockets!
Direct download: Season_4_Episode_9_-_Semper_Fido.mp3
Category: -- posted at: 6:12pm EDT
Mon, 3 March 2014
"I'm always in the middle of a struggle with a short story. You'd think I'd have the hang of it by now. It's a slippery animal.'"
Literary legend Bruce Jay Friedman joins the Virtual Memories Show for a fun conversation about his literary career, which encompasses six decades of short stories, novels, plays and Oscar®-nominated screenwriting. We talk about his newest projects, how both the writing and the sale of short stories have changed over the course of his career, and why he's happier in that form than the novel. Why was he successful in Hollywood when F. Scott Fitzgerald and Anthony Powell crapped out there? Listen in to find out!
"Hollywood to me was fun. Like a boy being let loose in a candy store. I was offended when I'd get called in off the tennis court to write a few scenes. I can tell you: there is no one who had more fun than I did in Hollywood."
We also talk about how stories begin, where he sees himself in the continuum of Jewish American writers, why Dustin Hoffman hates him, whether he’s ever been tempted to write The Big Novel, why he’s getting more Jewish as he gets older, why he prefers the Franco-Prussian war over other wars, and how to find the right kind of pistachio nuts.
"I always feel guilty about being entertained. I feel like I should be reading Suetonius."
Bonus: I rant about leaving my job and ask you for money!
About our Guest
Novelist, playwright, short story writer and Oscar-nominated screenwriter Bruce Jay Friedman was born in New York City. Friedman published his first novel Stern in 1962 and established himself as a writer and playwright, most famously known for his off-Broadway hit Steambath (1973) (TV) and his 1978 novel The Lonely Guy's Book of Life. In addition to short stories and plays, Mr. Friedman has also published seven other novels, and has written numerous screenplays, including the Oscar-nominated Splash (1984). His memoir, Lucky Bruce, came out in 2011. He resides in New York City with his second wife, educator Patricia J. O’Donohue. Check out his Amazon page for info on his books and plays.
Credits: This episode’s music is Frenesi by Artie Shaw. The conversation was recorded at Mr. Friedman's home on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Friedman by me.
Direct download: Season_4_Episode_8_-_The_Slippery_Animal.mp3
Category: -- posted at: 8:38pm EDT