Who knew that olive oil makes head lice sleepy? Jennifer Hayden rejoins the show to celebrate her new graphic memoir/anti-cookbook, WHERE THERE’S SMOKE, THERE’S DINNER: Confessions of a Cartoonist Cook (Top Shelf), share comedic tales of domestic mess, and rebel against the expectations of wife/motherhood. We talk about the lifetime of bad cooking that led to this new book, the revenge of turning her bad experiences into comedy, how she found a unique form to tell her story, and how a youthful reading of Babar left her with a lifelong phobia of mushrooms. We get into how she was reverse-inspired by Lucy Knisley's Relish, how watercolors gave her a color toolbox for her comics, what this book taught her about storytelling, and how her daughter diagnosed her as "expectation-allergic." We also discuss how she's been cheating on comics with spoken word storytelling, what life after memoir is like, how her breast-cancer memoir doubled as a last will & testament for her family, the process of finding a new creative process and narrative voice, her shamanic experience attending The Moth, the significance of the tarot card she repeatedly draws when she's hard at work on a book, why the folk names of herbs are like edible emotion, and more. Follow Jennifer on Instagram and Facebook, and subscribe to her Substack • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Multi-hyphenate Rian Hughes rejoins the show to celebrate his new Kickstarter, TYPERACTIVE: Thirty Years of Device Fonts (closing November 20, 2025)! We talk about designing and publishing a catalog-collection of every font he ever designed for his foundry, how the Kickstarter has proved a lot more successful than he was expecting, seeing one of his fonts showing up on Poker Face, and how typography means designing a form without content. We get into the history of type design and how he approaches new design with respect for his precursors, the serendipity that led to one of his best-known fonts, how he balances commercial work with pushing the limits of design in personal projects, the artist's trajectory from inspired amateur to spent expert, how he knows when one of his fonts has been ripped off, and his take on AI in illustration and type design. We also discuss his new novel and how it fits with XX and The Black Locomotive, the pros and cons of advertising work, designing the new EC Horror comics, the next Kickstarter he's considering, how he used to keep three different portfolios until he realized it was All Rian and integrated them into one, why his creative mind leaves him with zero interest in meditation, and more. Follow Rian on Instagram and Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Comics journalist Josh Neufeld joins the show to talk about the 20th anniversary of Hurricane Katrina and the legacy of his fantastic graphic reporting of the lives upended by that catastrophe, A.D.: New Orleans After the Deluge (Pantheon). We talk about his new 'zine followup, Beyond A.D., how the storm inspired him to become an emergency response volunteer and what he learned when he was stationed in Biloxi, what it was like to learn journalism and reporting on the fly and integrate those with his comics storytelling skills, and why his goal with A.D. was to make a people's history. We get into how he viewed the anniversary, whether he's gone back to New Orleans since reporting on it, and how he stayed connected with his subjects after the project and what it was like putting the anniversary 'zine together. We also discuss his comics upbringing, what it was like drawing for Harvey Pekar after years of American Splendor fandom, how constraints can lead to greater creativity, how neither of us have the lying gene necessary for fiction, his interest in graphic medicine and how that shapes his recent comics, the difference between journalism and nonfiction, a couple of my Small Press Expo anecdotes, how Michael Jordan's minor league baseball experience helps explain why comics people (usually) treat newbies well, and more. Follow Josh on Bluesky, Facebook and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Cartoonist-playwright-filmmaker Dean Haspiel rejoins the show for the homestretch of his new Kickstarter, ANTIMATTER (finishing Nov. 3, 2025), and brings his studio mate Whitney Matheson along to talk about her new story collection, THE FEELING. We talk about how Dino got the idea for a one-man anthology to contain all the characters & stories of his Dino-verse, new models for funding creative projects, and how promotion can be tough when you accidentally get banned on Instagram. They give me creative advice to help me get through my own book project, talk about their lessons from crowdfunding and self-publishing, and come up with a great idea for a new book, while we cope with some technical difficulties. Follow Dean on Instagram, support his Substack, and buy stuff on his Etsy, and follow Whitney on Instagram, support her Substack, and buy stuff on her Etsy • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

One of my fave writers, Ron Rosenbaum, returns to the show to celebrate his amazing new book, BOB DYLAN: Things Have Changed (A Kind Of Biography) (Melville House Press). We talk about how his lifetime fandom of Dylan led to this book, why he opted for a biographical meditation over strict biography, the week he spent with Dylan in the '70s for a Playboy interview, what our response to Dylan's songs say about us, and how he got over his sense of betrayal when Dylan joined a Jesus-cult for a few years. We get into his insight into Dylan's Nobel acceptance and the Rosebud-moment therein, the question of theodicy (radical evil) and Dylan's argument with God, Ron's experience falling in love with someone to Dylan's songs, and how Dylan's post-Jesus songwriting methods became a reflection of his One-Mind consciousness. We also discuss authenticity vs. sincerity, the discontinuity of being, the impact of Salinger & Dylan on American language and outlook, Ron's top 20-ish of Dylan's songs, the 4+-hour movie Dylan made in the '70s and how it may have led to his crack-up (and why Ron thinks it should be reissued), and more. Follow Ron on Twitter • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Writer Lance Richardson rejoins the show to celebrate his magnificent new biography, TRUE NATURE: The Pilgrimage of Peter Matthiessen (Pantheon). We talk about his youthful introduction to Peter Matthiessen via The Snow Leopard, how this project grew beyond his (& his publisher's) original concept, the health risks of following PM's trek through Nepal to the Crystal Monastery and the fleetingness of his time there, and which of PM's many hyphens he focuses on (novelist-naturalist-Zen roshi). We get into Matthiessen's journey into American Zen, the problematic nature of race and gender in PM's life and work, PM's fixation on Bigfoot and how that shifted to the notional, the Paris Review/CIA connection that everyone asks about, and how Matthiessen's widow came to trust Lance with the project. We also discuss his fave of Matthiessen's novels, the financial challenges of long-term writing projects (this one took eight years), getting over self-doubt and learning from his previous biography of Tommy Nutter, enjoying the research-hunt of biography more than the writing, what his literary upbringing in Australia was like, whether he came to like or despite Matthiessen, and more! Plus, I monologue-ramble about my 20,000th day on earth and the pod-retirement of Marc Maron! Follow Lance on Bluesky and Instagram and listen to our 2018 conversation • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Political cartoonist Tom Tomorrow (a.k.a. Dan Perkins) is back as we celebrate his new Kickstarter project, OUR LONG NATIONAL NIGHTMARE (closing Oct. 30, 2025, so GO SUPPORT THAT), collecting 5+ years of weekly This Modern World cartoons! We talk about how he keeps his sanity (well, tries to), what it was like to look back at the past half-decade week by week, why he decided not to go down a rabbit-hole of extra material for the project, and what it means to have a bookshelf of his strips (and not just pixels on a screen). We get into the importance of his Sparky's List newsletter as the media landscape keeps withering away, his writing process and how the, um, of this administration compels him to build some flexibility each week, and the realization that he's made a major body of work over the past four decades. We also discuss his major life changes since we last recorded, the good and bad of Being Very Online, his love of Martin Cruz Smith's Arkady Renko mystery novels, what makes him a New Yorker, and the impossibly fraught question of what brings him joy. Follow Tom Tomorrow on Bluesky and Instagram, subscribe to Sparky's List, and check out his merch from Topatoco and Threadless. Oh, and you can follow This Modern World on TinyView and/or Daily Kos • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With her debut graphic novel, PRECIOUS RUBBISH (Fantagraphics), artist and designer Kayla E explores and investigates the trauma of her upbringing, the fragments of her memories, and the process of reintegration. We talk about why comics were the perfect form for this project, how she found her iconography and the postwar children's comics style for it, what it was like to uncover her memories and get them on the page, how it feels to give her story to her readers, and how she's learning to respond when her readers share their trauma with her. We get into her comics-roots, what it was like to hit up her comics heroes, how she felt the moment Mark Newgarden told her she had a book on her hands, why Harvard is bad for getting a comics education, how her work as a graphic designer dovetailed with the incredible production of Precious Rubbish. We also discuss her recovery and her conversion experience, why her Bible kinda begins and ends with the Book of Job, her years of worry that she'd turn out as psychopathic as her parents and brother, why the Sopranos is her favorite work of art, what it means to not be loved by one's parents, and more. Follow Kayla on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

ICU nurse Hunter Prosper joins me this week as we celebrate his wonderful new book, STORIES FROM A STRANGER: Every Person Has a Story (Simon Element). We talk about the ICU experiences that led him to start talking to strangers in public and asking them deep questions about their lives five years ago, how those conversations have changed him, why he started sharing them online, how he figured out the questions he wanted to ask, and how long it takes just talking to someone before they're both comfortable with him recording the questions. Along the way, we get into how we each approach the dance of having a conversation with someone we've never met, what it was like to discover he had an audience, whether people speak differently when the phone comes out, and how it felt to see a book-length version of this project. We also discuss how he wants to explore new ways of making his videos, how it felt to discover there's a group-chat of his past strangers (that he's not invited to), why he'll always be a nurse first and not a 'content creator,' going traveling with his fiancee to do interviews and photos for the book, what he sees when he looks in the mirror, and more. Oh, and things get heavy once I tell him it's okay to ask me some questions. Follow Hunter and Stories From A Stranger on TikTok, Youtube, Instagram and Facebook • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With her amazing new novel, HOT WAX (Simon & Schuster), author, critic, and inveterate road-tripper M.L. Rio evokes the rock scene of the '80s and the travails of the not-quite-Almost-Famous band GIL AND THE KILLS. We talk about the redemptive & destructive power of rock & roll, how music is inseparable from her writing process, the challenge of writing about live performance, why it makes sense that "the girl with the Shakespeare degree is writing a rock & roll novel," and why she couldn't gloss over the sweatiness of touring and road trips. We get into the literature gap of people in their 30s (esp. women), how this novel evolved with her over a decade, what it's like operating in male-dominated spaces like music criticism, why she's going out on a 34-city book tour and trying to make it as fun as a rock tour (including merch!), what it means to be an ethical eavesdropper, how she stays safe (and well fed) while solo road-tripping around America, and the joy of radio crime drama. We also discuss the obsessiveness of record collectors, the loss of nuance in literature, the warping influence of Catholicism (and the perils of reading Shakespeare and Bret Easton Ellis way too young), our first concerts (her: Green Day, me: Asia), and a lot more. Follow M.L. on Instagram, Facebook and Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Curator and archivist David Leopold rejoins the show for a wide-ranging talk centered on the amazing new HIRSCHFELD'S SONDHEIM: A Poster Book (Abrams ComicArts). We talk about David's decades as Hirschfeld's archivist, Sondheim's love of Hirschfeld's work, the process of making his first book of Hirschfeld's art that focuses on a single creator, the connections between Al & Sondheim in David's text pieces for the book, and the joy of getting an intro from Bernadette Peters. We get into the work that the Hirschfeld Foundation does for regional theaters, why the drop-off of arts criticism is a disaster for culture, how younger people experience and appreciate Hirschfeld's art, and the time David held a seance at the Algonquin to promote the Hirschfeld Broadway Tarot. We also discuss our all-time fave Prince songs, what it's like being an archivist in a post-object world, the Steve Cohen magic performance that blew his mind, his new exhibitions at the Studio of Ben Solowey, how the next generation of theater organists (!) is getting trained, how aware Sondheim and Hirschfeld were that they were making history in their lifetimes, and more. Follow David & the Al Hirschfeld Foundation on YouTube, Tiktok, Facebook, Instagram, Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

It's been a year since his last episode, so what's artist Dmitry Samarov been up to? Plenty! We talk about his new project of redesigning and illustrating public domain books, why he started off with the White Whale itself, and why Babbitt! was next in line, what the common themes are among the six books he's illustrated since this project began, and how it all ties into his reaction to the 2024 election. We get into what it's like working with publishers after controlling his own books for years, how he discovered James Hogg's The Suicide's Grave on SOME OTHER PODCAST (okay, it was Beyond The Zero), how he's exploring visual interpretation and different tools with each book, and how this project has him reading and rereading differently than he used to. We also talk about how he looks back at his art in the wake of his self-monograph, how he got into a relationship with someone after a long time solo (after a showing of why Cronenberg's not-good The Shrouds), what other books he's considering illustrating, his new series of 'zines about bookselling, the joy of Moby Dick's tangents, and more. Follow Dmitry at his site and through his weekly newsletter, and buy some books from his Ebay shop • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

No guest this week, so it's time for our first Ask Me Anything (AMA) episode since 2019! Past guests and pals peppered me with questions about the podcast, my reading habits, menswear aesthetics, mental health, comics, hair care, keeping a journal, work/life balance or lack thereof, the one episode I think people are sleeping on, Star Trek vs. Star Wars, the superpower I wish I had, and a lot more. I dish some pod-secrets, talk about the episodes that will never air, and tell you where I buy my underwear, so go listen! Follow me on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With RED LIGHT PROPERTIES: Unfinished Business (Kinjin Storylab), writer/cartoonist Dan Goldman brings us a wildly entertaining graphic novel of midlife, the afterlife, and the south Florida real estate market. We talk about how the concept for RLP grabbed hold of him 20+ years back & never let go, why the story had to take place in/around Miami, how his work in video games and TV/movies affected his world-building in comics. We get into the peak life experiences of making this book, the transition from digital to print, why he set the book in landscape, the role of the "invisible" elements of comics design, the impact Scott McCloud's Reinventing Comics had on him, why the next season of Red Light Properties — Gut Renovations — will be "singles, not albums," how it felt to work with Kickstarter and control every aspect of Unfinished Business' design & production, all while reveling in our shared comic loves. We also discuss turning 50, whether cocaine is ever a good story device, his sensitivity to hauntings, why he needs to quit comics every so often, the effect The Invisibles had on him (esp. Grant Morrison's letter columns), the paradox of choice and the joy of the analog-hunt, his prose writing and why he tells stories that are 83% true, and plenty more. Follow Dan on Bluesky, Instagram and YouTube • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With SONGS FOR OTHER PEOPLE'S WEDDINGS (Abrams Press), writer David Levithan and singer-songwriter Jens Lekman bring the collaborative alchemy, as 20 years of fandom/friendship lead to this wonderful novel about a Swedish singer-songwriter — J — who finds a side-career playing original songs at people's weddings. We talk about the power of a great song, how David & Jens traded writing prompts with each other — a wedding song leading to a chapter, a chapter leading to a wedding song —, discovered how differently they each look at love, and managed to fuse that tension into a story of how love changes over time. We get into the differences between stories and songs, how Jens had fallen out of love with music (blame Spotify) and how this book helped him fall back in love with it, whether they'll write a sequel about funerals, and how Jens' song, "If you ever need a stranger (to sing at your wedding)," led to his side-career as a wedding singer. We also discuss Jens' new album inspired by the book, David's upcoming history of the AIDS era, the ways collaboration helps create new structures, what it means to be alone, how our private lives can get drowned by our public ones, their book/music tour and the importance of face-to-face interaction, the value of emotionally honest fiction, and more, including numerous Nick Cave references. Follow Jens on Bandcamp, Facebook and Instagram, and check out David's FAQs and IAQs • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With PAST TENSE: Facing Family Secrets and Finding Myself In Therapy (Avery), cartoonist Sacha Mardou brings us a phenomenal graphic memoir about the midlife process of overcoming lifelong traumas and anxiety. We talk about her decision to to make her therapy process (& sessions) public, first as online comics and then as a Past Tense, the benefits of the Internal Family Systems (IFS) model, what it took to violate the English stiff upper lip and admit that she had problems and needed therapy, and her mother's Jehovah Witness conversion and how she's still sifting through the damage of that. We get into how therapy changed her relationship to her daughter, why corniness is no reason to avoid addressing/admitting one's inner child (and the work I needed to do to truly appreciate Past Tense), the strong, supportive and sympathetic public response to her online therapy comics and how she wound up going back to her therapist to deal with the shame-cycle of that, and how her families (and therapists) feel about seeing themselves in the book. We also discuss Sacha's indy comics upbringing, her marriage to fellow cartoonist Ted May and whether that means her daughter has any hope for a non-cartooning career, how she feels like her art is always catching up to her writing, how we feel about Gen X getting overlooked, her Doris Lessing binge during perimenopause, and a lot more. Follow Sacha on Instagram, Facebook and Bluesky, and check out her Patreon and Etsy • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With his phenomenal debut memoir, FRIGHTEN THE HORSES (Roxane Gay Books/Grove Atlantic), Oliver Radclyffe takes us on a journey into trans-selfhood. We talk about the gap between a trans narrator and a cis-het reader, the importance of trans visibility, how his understanding of masculinity and being male have changed, and how he faced down the risks and sacrifices in his life as he transitioned, despite the uncertainty of what lay ahead. We get into how he found the perfect voice for his memoir, the importance of The Hitchhiker's Guide To The Galaxy on his writing process, his life-defining moment of seeing Justin Vivian Bond, why being raised in privilege explained why he knew so little about the queer world, the surprisingly wonderful support his (conservative Christian) parents gave him throughout his journey, and why the book focuses on his pre-transition life. We also discuss whether he looks at photos of his pre-transition self, how testosterone has affected his life, how gender can shift with age, how the joy of publishing his first book has transformed him (and how he hopes it leads to a long mid-to-late-life writing career), whether he's ready to be an empty-nester, what it means to find validation through performance and defining oneself through relationships, why he identifies as a gender-irrelevant transsexual, and a lot more. Follow Oliver on Instagram and Bluesky and subscribe to his Substack • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

No conversation this week, unless you count me talking to myself. This episode, I share some thoughts and memories about my father, following his death last week at the age of 88 — or 87, depending on who he was lying to — along with the eulogy I gave at his funeral. • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

How did Russian Jews wind up migrating to Galveston, Texas in the early 1900s? How did the image of America as melting pot come into existence? How did a family memoir evolve into a forgotten history of Zionism? Find out during my conversation with Rachel Cockerell about her amazing new book, MELTING POINT: Family, Memory, and the Search for a Promised Land (FSG)! We talk about the tightrope walk of composing a history solely out of primary sources and why she eschewed the author's voice for this book, her grudging acceptance of Robert Caro's maxim to Turn Every Page, and how her perspective on Jewishness changed over the course of writing the book. We get into the once-titanic literary figure of Israel Zangwill and how he gave it up to find a homeland for the world's Jews, how Zangwill invented the notion of the melting pot and whether he truly believed in assimilationism, the inspiration of George Saunders' Lincoln in the Bardo on Melting Point, and how Rachel got over the notion that the past was just a lead-up to now. We also discuss her next book on Halley's Comet and whether she'll stick with her primary sources-mode in future books, how her family reacted to seeing their stories (& contradictions) on the page, how a 90-year-old distant relative stole the show, and a lot more. Follow Rachel on Instagram and Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Thirty-plus years in the making, the graphic adaptation of Paul Auster's THE NEW YORK TRILOGY (Pantheon) is here at last! Paul Karasik rejoins the show from Yaddo Artists Retreat to talk about the process of adapting Auster's postmodern crime novels into comics, how he collaborated with David Mazzucchelli (CITY OF GLASS) and Lorenzo Mattotti (GHOSTS) on the first two and how he wound up drawing the third book, THE LOCKED ROOM, how these novels possessed him for decades, and the moment when he understood what each novel was really about. We get into how he met Auster at a parent-teacher conference shortly after the New York Trilogy came out, the moment of truth when Auster first saw the pages for City of Glass, the freedom (and restriction) Auster offered for the project, and whether Auster got to see the finished pages before his death in 2024. We also discuss Paul's comics upbringing, how his mother supported his habit (and maybe melted her son's brain by getting him a book of R. Crumb comics at 12 or 13), his lack of confidence in his drawing and his supreme confidence in his teaching, how meeting Art Spiegelman changed his life, why he's starting an online graphic novel workshop, the immense inspiration of staying at Yaddo (and how he learned The Two Rules Of Yaddo), and a lot more. Follow Paul on Instagram, support his Patreon, and check out his Graphic Novel Lab • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

One of my fave guest/friends, Kate Maruyama, rejoins the show to celebrate her wonderful new novel, ALTERATIONS (Running Wild Press)! We talk about the book's long gestation/publishing history, Kate's love of old Hollywood & costume design, closeted movie stars and how she told the story of a gay relationship in the '30s & '40s, and how it felt to write a non-horror horror story. We get into her own Hollywood experience in the '90s, how it informs Alterations, and how it felt to repeatedly smash into the glass ceiling, as well as how ghosts creep into everything she writes, how older people become invisible but have stories to tell, and how important it was to have a champion in Toni Ann Johnson for this novel. We also discuss present-moment Los Angeles, the craft book about novella-writing she's co-writing, the need to decolonize her writing students, the (maybe non-existent) influence of Jodie Foster's Home For The Holidays on Alterations, the essay she wrote around the decline & death of her mother, Kit Reed, and more. Follow Kate on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With his fantastic new book, EMINENT JEWS (Holt), writer and critic David Denby explores the impact on American culture of Jews Unbound through profiles of Leonard Bernstein, Mel Brooks, Betty Friedan, and Norman Mailer. We talk about how he selected his four subjects, how each of them came of age in an environment that Jews hadn't experienced in millennia, the ways each handled the responsibilities of family against their careers, the difference between "Jew" and "Jewish," and which one unfolded the most to him over the course of writing the book. We get into why Bernstein's greatest role may have been as a teacher, how Mailer's magnetism persisted way beyond its expiration date, how Friedan changed the world but was always challenged by her midwest upbringing, and whether Brooks was being disingenuous when he made musical numbers of our the Inquisition and Hitler. We also discuss judgements David made over the course of his career as a movie critic, what he did when he finally gave up reviewing and how he eased back into the cinema, why he revisited the Lit Hum course at Columbia a few years ago, after previously revisiting it 30+ years ago for Great Books, his take on my my lightning round of classic lit questions, his non-Le Carré experience in East Berlin, his reaction to my parents taking me to History of the World: Part 1 when I was 9, and more. Follow David on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Can we find the poet in their poems? With HORACE: Poet on a Volcano (Yale University Press), Peter Stothard explores how the life of the great Roman poet unfolds though his art and the histories. We talk about why he wrote this biography through a critical study of Horace's poems (and why that's been a controversial approach), how Horace embodied the artist-as-madman long before the Romantic era, and why it was important to show the alienness of Horace's verse and how nervous Peter was about translating him into English to show how the Latin works. We get into Horace's place in Rome's history, how he bridged Greek poetic modes into Latin, the variety of genres Horace worked in (and invented), and why the poet was cancelled early and often over the centuries. We also discuss mortality and legacy, how Horace & I each reacted to not getting killed by falling trees, why a certain Great Books program is so Athens-centric, how Peter's secondary school introduced him to "INCIPE!," "Sapere Aude," and "Carpe Diem," among other Horace-isms, and more! Follow Peter on Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With her bewitching and beautiful novel NEVERMORE (Seagull Books, translated from French by Tess Lewis, who joins our conversation), Cécile Wajsbrot takes us on a tour of Chenobyl's Forbidden Zone, the High Line in NYC, Dresden, Paris, under the shadow of the Time Passes section of Virginia Woolf's To The Lighthouse. We talk about the challenges of writing a first-person novel about translation, the strange ways Woolf has followed Cecile throughout her careers as author & translator, and how it felt to see her novel about translating Virginia Woolf into French get translated into English. We get into her literary career, how Time Passes became a stand-in for her fascination with destruction, why she's translated Woolf's The Waves three times over thirty years (and whether the first one got her into the bad graces of the editor of Le Monde de Livres), what it was like to subvert the translator's typical role of invisibility with this novel, and the language she wishes she had. We also discuss mourning and the ways we try to keep conversation alive with those we've lost, the time I impressed the Princess of Yugoslavia by transliterating the Cyrillic on her family's jewels, and more. More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

She may be able to quit cartooning (for a while), but Keiler Roberts can't quit The Virtual Memories Show! With her wonderful new book, PREPARING TO BITE (Drawn & Quarterly), Keiler returns to comics with a collection of (mostly) hilarious vignettes about domestic life, middle-age, the impact of multiple sclerosis, and having too many pets. We talk about why she walked away from comics and how she came back, how she avoids memoir in favor of memory (and humor), how she still has anxiety over drawing but is way too tired to have social anxiety anymore, and why she branched into kitschy craft-modes that no one would mistake for art. We get into why she wants her kid to read her journals when she's gone, how MS taught her how to be bored, how men have no idea what perimenopause is like, what it means to be the best appointment of her doctors' day, and the reward of teaching comics to her friends and her mom. We also discuss how Karl Stevens helped her back into comics with this book (& encourages her in every other artistic idea she has), how weird it is to see two of Karl's super-detailed pages beside her sparse drawings in Preparing To Bite, and why she loved collaborating with her brother on the grownup fairytale Creepy. Plus, she teaches me the difference between living more and doing more, and I read you guys a Rilke poem in the intro. Follow Keiler on Instagram, Bluesky and Blogspot • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With his new graphic novel, INSECTOPOLIS (WWNorton), Peter Kuper brings us the 400-million-year history of insects in their own words as they take a post-human tour of the New York Public Library. We talk about how Insectopolis began when he was around 4 years old and saw the 17-year cicada brood, how Peter needed a new mode of comics-making for this book, and how he made the NYPL a key character in the project. We get into mankind's dependence on insects, the stories of forgotten entomologists (and why they were forgotten), his experience getting a Cullman fellowship at the NYPL during COVID and how he found all the great & secret rooms while the place was near-empty, the INterSECTS exhibition that evolved from the fellowship and how it grew in scale, and his realization that entomologists are like comic fans. We also discuss his wife's great advice going into this project, the fun of getting experts to vet every chapter of Insectopolis, the alchemy that happens when people's passions overlap, how he harnesses the dread of imminent apocalypse to make his art, and more. Follow Peter on Bluesky, and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With SEARCHES: Selfhood in the Digital Age (Pantheon), tech writer Vauhini Vara explores how our sense of self has been co-opted, quantified, and exploited by big tech as a way of selling us more stuff or selling us to third parties. We talk about what we talk about when we talk about our Google searches (& Amazon purchases, Twitter subject preferences, etc.), the interface of exploitation and self-expression, what selfhood means to tech companies vs. what it means to us, and what she learned when she fed chapters of her book into ChatGPT. We get into agency vs. coercion, how the promise of tech so often gets inverted, how ChatGPT tried & failed to express her grief from her sister's death from cancer, why she brought memoir into SEARCHES alongside its other experimental modes, how her husband serves as a low-tech foil in the book, and whether or not we have a say in how the online era plays out. We also discuss why she doesn't post about her personal life, how the book's multiplicity of voices offsets the corporate voice of ChatGPT, what she got out of Bill Gates' biography, the importance of non-VC-funded technology to help us escape exploitative models of information, whether an essayist ever really changes over the course of an essay, and more. Follow Vauhini on Twitter, LinkedIn and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Artist Craig Thompson joins the show at long last to celebrate his new book, GINSENG ROOTS: A Memoir (Pantheon). We talk about how he spent ten summers of his childhood helping farm ginseng, how that herb connects rural Wisconsin with China and South Korea, how he balanced history, journalism, economics, and memoir in the pages of his book, and why he chose to make Ginseng Roots as a serial comic rather than a standalone book and how that affected his creative process. We get into how the book serves as a sort of midlife revision of his breakthrough book, Blankets, how the last chapter of the book had to happen in near-real-time, how a degenerative condition in his hands became a unifying theme to the book while almost derailing it, how he found the design language of the book and obsessed over a two-color process (to amazing results), and whether this is his swansong for comics (spoiler: it's not!). We also discuss what home means to him, 8 months into being on the road, what it was like discovering that he had a global audience, his ongoing relationship with his evangelical Christian upbringing, his editor's concerns that Ginseng Roots could open him up to accusations of cultural insensitivity (and how he got over it), all while geeking out over our fave cartoonists from the '90s indy period (go, Dylan Horrocks!), and more. Follow Craig on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Artist, professor and now like-it-or-not cartoonist Ari Richter joins the show to talk about his fantastic book, Never Again Will I Visit Auschwitz: A Graphic Family Memoir of Trauma & Inheritance (Fantagraphics). We talk about how he he began this project in the wake of the Tree of Life massacre in 2018, how it helped him exorcise the demons of his imagination after a lifetime of hearing his family's stories about the Holocaust, and how the book centered around intergenerational trauma and collaboration. We get into how he incorporated his grandfathers' holocaust memoirs into the book, why he found different styles for each section of the book, what he had to learn about comics storytelling after a career in fine arts, the revelation of reading Miriam Katin's memoirs and why he avoided rereading MAUS during the 5 years he worked on this book. We also discuss how drawing comics has changed his brain, why he was stunned by the commercialism of Auschwitz, why he's glad he got a German passport, why comics folks seem friendlier than fine arts people, the insanity of composing his comics pages in Photoshop (and what happens when he forgets to label his layers), and a lot more. Follow Ari on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Author and curator Dan Nadel joins the show to celebrate the publication of his amazing new biography, CRUMB: A Cartoonist's Life (Scribner). We get into Robert Crumb's significance in American art, comics, and culture, Dan's first experience with a Crumb comic (it was an ish of American Splendor), the challenge of capturing the underground comics scene of the '60s & '70s, and what it took for him to get over the "R. Crumb" persona and realize how integrated Robert's personality is. We talk about Crumb's role as nexus in the history of comics, the book's focus on Crumb's drawing and how different tools opened him up artistically, what it means to see Crumb as part of tradition and not just a conceptual outlier, how his Crumb differs from the Crumb of Terry Zwigoff's documentary, and the one detail he's still dying to find out about Zap Comix. We also discuss Dan's comics and art upbringing, how he found his place as a publisher then gallery & museum curator, how he was affected by the death of Crumb's wife Aline in 2022, how his museum experience prepared him for writing about the racist and sexist aspects of Crumb's comics, the only cartoonist biography he could tackle after Crumb, whether Crumb's Book of Genesis succeeds as comics, and a lot more. Follow Dan on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

No guest? No problem! It's time for another impromptu monologue episode: this time, Gil sorts through family legacies of the genetic and Larkinesque variety, as occasioned by taking his dad for cataract surgery and getting a call from an old & previously deceased friend! Follow Gil on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With his amazing new book The Twilight of Bohemia: Westbeth and the Last Artists in New York (Black Sparrow Press), Peter Trachtenberg explores the 50+ years of history for Westbeth Artists Housing in the far West Village, the role of the arts in New York City, and the ways we build & sustain community. We get into his long-term history with Westbeth, how this book's was born from an essay about the suicide of his friend and Westbeth resident Gay Milius, how Westbeth managed to survive a series of financial crises over the decades before finding a sustainable model, and how architect Richard Meier repurposed the Bell Labs complex into affordable artists' housing in the 1960s. We talk about Westbeth's requirement that residents be professional artists and what that came to mean over the years (esp. when some residents' productivity diminished), what it's like to raise families in Westbeth, and how the community handled generational change. We also discuss how Westbeth reflects New York back on itself, how Vin Diesel's vandalism as a kid growing up in Westbeth led to his acting career, how the Village's Halloween parade originated there, how I stumbled across Westbeth in 2017 during — what else? — a podcast, how we build artistic communities when we don't have geographic proximity, whether there's a secret radioactive room left over from the Bell Labs years (!), and more. Follow Peter on Instagram, and subscribe to his newsletter • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Author David Shields returns to the show for a conversation about his new documentary, HOW WE GOT HERE, and the companion book, HOW WE GOT HERE: Melville plus Nietzsche divided by the square root of Allan Bloom times Žižek squared = Bannon (Sublation Media). We get into how the world moved from the death of God to the death of essence to the death of truth, and how deconstruction, once the province of left-wing academia, was weaponized by right-wing authoritarians for political aims. We talk about how much blame he bears for all this with his 2010 book Reality Hunger, how it feels to be a radical with deep skepticism of radicals' language, his affinity for Werner Herzog's notion of the ecstatic truth in documentary films, what he learned from interviewing nonfiction writers about the nature of truth, and how he feels about going to his first WWE event. We also discuss nonlinear warfare and the endless deconstruction of reality, how writing can "build a bridge across the abyss of human loneliness" (per DFW), what he's learned from the collaboration of making documentaries, his fixation on hamartia (the tragic flaw), Walter Benjamin's notion of pursuing the truth even if we'll never reach it, bringing the public, social and personal worlds together in his writing, and a lot more. More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Uh-oh! Gil doesn't have a guest this week, so he recorded a monologue from a hotel room in Weehawken, NJ during a business conference for his day job! He talks mental health, oblique mythology, Charles Crumb, comics and pharma friends, the St. Patrick's Day Parade, and more! Follow Gil on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With THE MAN NOBODY KILLED: Life, Death, and Art In Michael Stewart's New York (Celadon Books), author Elon Green brings us an investigation into a terrible episode of police brutality and its aftermath in mid-'80s NYC. We talk about what drew him to the story of Michael Stewart, a 25-year-old black artist-model-DJ who died at the hands of transit police in 1983, his amazement that no one else had written this book, and how his early assumptions about a coverup gave way to a different coverup. We get into how he so wonderfully evokes the gritty NYC of that era, spreading out a canvas that takes in the arts scene — think Haring, Basquiat, Madonna — and the awful crimes and police behavior — think Bumpurs, Goetz — of that era. We discuss the art of interviewing people 40+ years after an event without reopening old wounds, the judge on the case who talked with him for 3 hours and shared how his conclusions on the verdict changed, what he sees in Stewart's art, how he tries to build the entire environment of the world he's writing about in his books, why he considers himself a history writer (& despises the "true crime" label & genre), why being a good journalist means having a sense of decency, bringing his first book to life as an HBO series, and more. Follow Elon on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Biographer Vanda Krefft returns to the show to celebrate her wonderful & illuminating new book: EXPECT GREAT THINGS!: How the Katharine Gibbs School Revolutionized the American Workplace for Women (Algonquin Books). We talk about the turn of the (20th) century origins of Katharine Gibbs & her school, the legacy of her executive secretarial course for generations of women, "Gibbs Girls'" descendants' desire to honor their family members, the incredible quality of faculty Gibbs was able to recruit, the risks women had to take to enter the professional workforce, and the Trojan Horse campaign of teaching women to learn how businesses work until they're able to run them themselves. We get into Vanda's desire to write about people who were overlooked in history, how this book veered away from her initial idea, how it required a different mode than her biography of William Fox, the challenges of century-old research into women's lives, what she had to learn about the history of women in America, the myth that the 1920s were liberating for women, and her interest in mid-century America. We also discuss how the Gibbs school declined when the family finally sold it in the late '60s, what she'd like her next book to be about, her experience living in Santa Monica during the LA fires, a lengthy aside about publishing and the changes I've seen, getting inspired by Howard Fishman's book on Connie Converse, and a lot more. Follow Vanda on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With DEATH TRIP: A Post-Holocaust Psychedelic Memoir (Spiral Path Collective Press), Seth Lorinczi explores how trauma can be transmitted over generations, and how an ancient (& new) form of treatment can help overcome it. We talk about finding his family's story of the Holocaust, trying to understand why so much of it stayed hidden, how badly it warped his life, and how he & his wife found answers in psychedelic medicine (MDMA, ayahuasca, toad (!)). We get into the long-term damage of unmetabolized trauma and untouched grief, how psychedelics allowed him to recognize patterns in his life, family history, and the universe, the challenges of researching his family's Holocaust experience in Hungary, how his experiences led to a memoir (& a saved marriage), why Death Trip is a series of surrenders, how his close and distant relatives responded to the book, and why he thinks I should leapfrog therapy and try psychedelics first. We also discuss growing up in the punk scene of Washington, DC (and writing his next book about that), how coincidence becomes important after psychedelic experiences, how some married couples take up salsa dancing but he & his wife took up ayahuasca, how his daughter responded to all this, whether a person can change, how once you get the message you should put down the phone, and a lot more. Follow Seth on Instagram and subscribe to his Dispatches From The Fringe newsletter • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With NAPLES 1925: Adorno, Benjamin, and the Summer That Made Critical Theory (Yale University Press, tr. Shelley Frisch), Martin Mittelmeier traces the roots of the Frankfurt School in southern Italy. We talk about the epiphany on the lip of a volcano in Lanzerote that brought this book to life, the years he spent poring over Theodor Adorno's writing (and the temptation to mimic Adorno's style), how Walter Benjamin's principle of porosity arose from both the tuff stone & the way of living of Naples, and the challenge of evoking the Naples of a century ago and how it led to a theory of society. We get into Critical Theory's attempts at understanding populism and oligarchic takeovers and why Adorno is having A Moment in Germany, the fun of speculating about meetings among great thinkers — yeah, I get into George Orwell, Henry Miller, and Inside the Whale —, the utopian aspect of local life in Naples and Capri, the complexities of reputation and destiny, and whether Critical Theory can hold up during the hyper-internet era. We also discuss the difficulties of translation with critical theory's associative language, why I need to read Hernán Diaz' Trust, his new work about Thomas Mann working with Adorno on Doctor Faustus in Pacific Palisades (a.k.a. Weimar Under The Palm Trees), how he's changed in the decade-plus since writing the book, and more. • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Can LA private detective Happy Doll live up to the Four Noble Truths and escape the cycle of Samsara? Jonathan Ames returns to the show to help answer that question and celebrate his new novel, KARMA DOLL (Mulholland Books)! We talk about the joy of reading (& writing) page-turners, how his lead character Happy Doll has evolved over three novels (so far!), what it's like bringing Buddhism into a detective novel, and how his (& Happy's) LA has changed since he began this series. We get into how he managed to avoid writing about the worst days of the pandemic while keeping Karma Doll contemporary, how writing the Doll novels has affected his understanding of Buddhism, and how he's living up to the lesson he always gave students: write what you love. We also discuss TV writing and how it took him away from prose-writing for a decade or so, the need to make art and the transitoriness of bliss, how the LA fires left him driving all over the place like he was in a Lew Archer novel, his fave reads & TV shows, how we both played with dolls as kids in the woods of northern NJ, and a lot more. Follow Jonathan on Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With his latest book, THE DRIVING MACHINE: A Design History of the Car (Norton), architect and architecture & design writer Witold Rybczynski explores how cars evolved from their earliest days through the befuddling styles of today's EVs. We get into the design language of cars and how it had no true precedent, why European styles were so different and varied than America's, his favorite era for car design, and the differences between writing about cars and writing about buildings. We talk about the cars in his life and how he integrated them into The Driving Machine's narrative (including the Mercedes that lasted him 25 years), the lives of the engineers & car-company founders he explored for the book, what he learned by drawing the book's car-illustrations himself, and how drawing all those cars brought him back to his youth. We also discuss the new book he's writing about his dissatisfaction with contemporary architecture, how it resulted from a Chat-GPT 'hallucination,' the cycles of architecture & the death of architecture criticism, the (sorta) imaginary house he designed for himself, and more. More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Cartoonist Matt Madden rejoins the show to celebrate his new collection, SIX TREASURES OF THE SPIRAL: Comics Formed Under Pressure (Uncivilized Books). We talk about the liberation to be found in formal constraints, his history with OULIPO and its OUBAPO offshoot, how structure can inspire story, and the formal and thematic challenges in sequencing the stories in the collection. We get into how he tried to make the most of a multi-year residency at La Maison des Auteurs in Angouleme, the unwitting influence of Hergé on one of his favorite stories, the changes in his art & storytelling since publishing Ex Libris in 2021, and the "director's commentary" he added as back matter for Six Treasures. We also discuss Lewis Trondheim's challenge to him to make a comic without a formal rule or constraint, his Substack-goal of sharing OUBAPO rules, the balance of comics-making with child-rearing, the fun of making foldy-comics, why it's important not to let the formal constraints overwhelm the heart of the stories, and more. Follow Matt on Instagram and YouTube and subscribe to his Substsack • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

After 4+ decades as a reporter and with a half-dozen nonfiction books under his belt, Fred Kaplan rejoins the show to celebrate his first foray into fiction, A CAPITAL CALAMITY (Miniver Press)! We talk about how lockdown got him to start A Capital Calamity, how his history in national security and the defense sector informs the novel (& its accidental march torward WWIII), how his protagonist is & isn't a Fred-Not-Traveled, and what it was like to make things up after a career spent reporting the facts. We get into the moral quandaries of being an insider in Washington, his experience working for Les Aspin in the '70s, the early morning storytelling revelations that opened up the novel to him, and why he set a major scene of the book above The Comedy Cellar in NYC. We also get into whether we're slow-walking into WWIII, the lessons learned from the 2017-2021 era and how they may affect his coverage of the new administration, his jazz recommendations, the fun of dissecting Washington cocktail party culture, the pros & cons of a multipolar world, and more. Follow Fred on Bluesky, Facebook and Twitter • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With THE EMPTY LOT (Fantagraphics Underground), artist Mia Wolff brings together 100 paintings from more than 40 years of her oeuvre. We talk about how she found the thread & structure for the book, the patterns that emerged as she re-ordered the pieces and stitched them together with new illustrations, comics and prose pieces, and how you can make a joyride of a monograph by introducing your cat into the scene. We get into her dream of catspiders that inspired her for decades, the game of exquisite corpse she's been playing with Jim Woodring, and her history in art and side trips into a trapeze act with a circus and teaching martial arts. We also discuss the graphic novel she's working on and how that art parallels her painting, why The Empty Lot has an afterword in the form of a page-by-page tour-conversation with Samuel R. Delany, her love of transparency & translucency and why her paintings of water are so magical, the tension of her pitch meeting with Gary Groth, and a lot more. Follow Mia on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Translator & author Damion Searls kicks off our 2025 season with a talk about his amazing new book, THE PHILOSOPHY OF TRANSLATION (Yale University Press). We talk about how all writing — translation or not — involves constraints, he balanced the book between philosophical argument and concrete examples of translation, and how he came to define translation as "reading one thing and writing something else." We also get into where all the languages — German, Dutch, Norwegian, French — started for him (+ his lockdown project of teaching himself modern Greek), how the business of translation has changed during his career and the problems with the English market's dominance, how a 'book report' led to him becoming the translator of Nobel-winner Jon Fosse, how he edited an abridged version of Thoreau's (7000 pages of) journals, and why he only put one negative example in The Philosophy of Translation. Plus we discuss how he doesn't look over his own translators' shoulders, why he resents critics' bias against translation and the notion of "a 'faithful' translation" or "getting it right," how he & his peers fought for royalties over fee-for-service and the days when translators treated like typesetters, and plenty more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

It's the end of the year, so let's take stock of 2024 with a big ol' year-in-review monologue! Your intrepid/decrepit host, Gil Roth, gets personal while talking about what he's learned from the podcast & his guests this year, how they continue to change each other's lives, the moment he found his Spirit Jacket, his communion with a Roman sculpture, the validation of his year-long photo-book project, the joy of hiking the Catskills with an old friend, a big work-anniversary, the thrilling circumstances of his debilitating neck injury, the best non-clinical moment you can have in an oncology setting, the new addition to the Virtual Memories family, his 2025 wants, and above all, the question of whether a person can really change (and okay, above that, the question of what 'change' means). Follow Gil on Bluesky, Instagram, and LinkedIn • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Twenty-two of this year's Virtual Memories Show guests tell us about the favorite books they read in 2024 and the books they hope to get to in 2025! Guests include Roland Allen, Shalom Auslander, Laura Beers, Sven Birkerts, Mirana Comstock, Leela Corman, Nicholas Delbanco, Benjamin Dreyer, Eric Drooker, Randy Fertel, Sammy Harkham, Frances Jetter, Ken Krimstein, Jim Moske, Robert Pranzatelli, Jess Ruliffson, Dmitry Samarov, Dash Shaw, David Small, Benjamin Swett, Maurice Vellekoop, and D.W. Young (+ me)! • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With The Picture Not Taken: On Life and Photography (NYRB), Benjamin Swett brings us a subtly beautiful series of essays that explore memory and identity and what we really see in the viewfinder. We talk about the role of photography in his life, how Musil, Sebald, and Knausgaard and taught him to trust digressions, the freedom to be found in the essay, how working in the NYC Parks Dept. led him into some strange career choices, and the challenge (& reward) of photographing trees. We get into our respective rebellions against our fathers and linearity, the loss of his daughter and how her shadow looms over the book, his idea for a negative-autobiography and my own photo-text project, how his family felt about being included in the essays, and the moment he felt comfortable moving from film to digital. We also discuss his 9/11 and what it revealed to him about himself, how the constraint of Instagram captions can lead to good storytelling, the ~30-year gap he took to finish his MFA, the benefits of leaning in to awkwardness and self-revelation, and a lot more. Follow Benjamin on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

LIVE from Labyrinth Books, artist and vulgarizer of history (in the French sense) Ken Krimstein returns to the show to celebrate his new book, EINSTEIN IN KAFKALAND (Bloomsbury)! We talk about the mystery of the 15 months Einstein & Kafka overlapped in Prague, how the two of them invented the modern world, what Ken has learned about graphic storytelling after 3 books, how the theory of relativity bedeviled him since childhood, and how he managed to make a graphic novel about Jews in Prague and not include a golem. We get into all the research and rabbit-holes of this project, including his monthlong research-stay in Prague, as well as the chapter he had to cut on Kafka's love of Yiddish theater, the challenges of portraying Einstein's professional and personal struggles, and his discovery that readers would follow his phantasmagoric flights and surreal episodes. We also discuss Ken's fixations on Mitteleuropa and scenes & salons, Sam Gross' observation about his art, Kenny Werner's concept of effortless mastery, why he wants to bring some joy to his next project, and more. Follow Ken on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Cartoonist & historian Eddie Campbell returns to the show with his fantastic new book, KATE CAREW: America's First Great Woman Cartoonist (Fantagraphics Underground), which explores turn-of-the-(20th)-century artist, cartoonist, illustrator, caricaturist, interviewer & journalist Kate Carew. We get into how Eddie discovered Kate's work while researching The Goat-Getters, how Kate wound up interviewing the likes of Mark Twain, Picasso, the Wright Brothers, and other celebs (& non-celebs) of her time, how her self-caricatures serve as a sorta graphic autobiography (and precursor to the whole world of graphic memoir storytelling), her support of women's suffrage, and how I accidentally semi-sorta inspired Eddie to make this book. We also talk about how Kate's story evades sentimentality, how Eddie & Audrey Niffenegger formed the Digital Art Burglars firm™, what he's learned from exploring the early history of American cartooning, why his next book is about the Midwest school of cartooning, how he wound up writing the comics histories he wanted to read, and why he had to pull a page from this book due to a complaint from the printer. Plus we discuss his new graphic novel about how he met Audrey, how his comic strip of the Pajama Girl, a murder victim in Sydney, led to him working with Alan Moore on From Hell, his life-lessons about making every pitch & taking every job that was offered, and why Kate Carew was such an enormous outlier in the world of cartooning. Follow Eddie on Bluesky • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Comics librarian and curator Caitlin McGurk returns to the show to celebrate her amazing new book, TELL ME A STORY WHERE THE BAD GIRL WINS: The Life and Art of Barbara Shermund (Fantagraphics). We talk about Caitlin's shock at her 2012 discovery of Barbara Shermund's incredible gag-comics and illustrations in the archive of the Billy Ireland Cartoon Library & Museum, how her interest in Barbara evolved from blog posts to a museum exhibit to a book, the challenge of writing about someone who did no interviews or press and had no close relatives, and how easily women get erased from history. We get into the gestalt of Barbara's fantastic linework and washes and her wry sense of humor, why Caitlin wound up writing an academic press version of the book before rewriting it for a trade publisher, the challenges & rewards of designing a book to showcase so much art, how Barbara helped create the look of The New Yorker in its early years, why Caitlin speculated (but not too much) about Barbara's sexuality. We also discuss the malleability of history, how the Billy Ireland has changed in the 10 years since Caitlin & I last recorded, the pep talk she wished she could have gotten from our late friend Tom Spurgeon, time Al Capp (!!) advocated for allowing women into the National Cartoonists Society, the incredible story of tracking down Barbara's remains and giving her a proper funeral 35 years after her death, and a lot more. Follow Caitlin on Instagram and the Billy Ireland blog • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Artist Frances Jetter joins the show to talk about her amazing new book, AMALGAM: An Immigrant, His Labor Union, and His American Family in Brooklyn (Fantagraphics Underground). We talk about how the book both expanded and narrowed in scope during its 12-year process, how her grandfather's story bleeds out into American, Jewish and labor history, and how she integrated her trademark linocut prints with other media to create an unforgettable graphic narrative. We get into how the editorial illustration field changed over her career and why she moved toward artist's books and narrative art, why "illustrator" isn't a dirty word & why having her work out in the world is important, how we don't always see the resonances of our work when we're in the middle of it, how working with other materials and forms (like sculpture) rejuvenated her drawing, what she learned about storytelling in the making of AMALGAM, her family's political background and her awakening, how students have changed over her 40+ years teaching at SVA, and more. Follow Frances on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With THE NOTEBOOK: A History of Thinking on Paper (Biblioasis), Roland Allen explores how the proliferation of paper & binding changed culture, business, and maybe the nature of human consciousness. We talk about how keeping a diary got him obsessed-ish with notebooks, how he found a narrative and protagonists as he delved into the history of notebooks, and what it means to see the notebook as a piece of technology/hardware. We get into their influence on art and the Renaissance (and the theory that sketchbooks allowed artists to move toward realism), how diaries created a new, private persona distinct from the public self, how he discovered a new reading for a line of Hamlet, and how digital options never manage to replace the paper notebook. We also discuss how Moleskine came to dominate the notebook market and how Bruce Chatwin's The Songlines jumpstarted their craze, how Roland learned to switch off the "this isn't interesting" filter in his own diaries, how writing this book made him a better notebooker, the way Dutch album amicorum (friendship books) served as a social media precursor, how our notebooks can outlive us (and his posthumous plans for his diaries), and a lot more. Follow Roland on Instagram and Bluesky • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With his new graphic novel, NAKED CITY (Dark Horse Books), artist/activist Eric Drooker finishes the New York trilogy begun in Flood! and Blood Song. We talk about how Naked City started with the image of a beleaguered squeegee-man and wound up a love letter to New York and especially Tompkins Square Park, the challenges of using word/thought balloons and captions after making wordless comics for so long, and the importance of staying handmade in the digital era. We get into his upbringing in Stuy Town and the Lower East Side/Loisaida, why we were recording in an apartment above the Museum of Reclaimed Urban Space, how New York changed during his life, why he semi sorta escaped from the city, what it's like being a quality-of-life criminal, and the time he made his start with stencil-graffiti only to get over-tagged by Basquiat. We also discuss his artistic & political awakenings, the Tompkins Square Park riot and police militarization, his ambivalence about street art going into the gallery, the importance of on-the-ground activism (MOAR STREET POSTERS), the surveillance panopticon, and more. Follow Eric on Instagram, Facebook and YouTube • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With his fantastic new book, MYSTICISM (NYRB), philosopher Simon Critchley explores mystic traditions from medieval Christianity to the present. We talk about the evolving definition of mysticism, its female-centric history, how it's not just the moment of revelation but the adoption of a form practice (like Julian of Norwich's half-day of revelations and ~40 years of theological examination of them), and whether today's aesthetic experiences can truly be a substitute for the religious transcendence of the past. We get into attention as a form of mysticism and close reading as a form of attention, how we can try to overcome this age of distraction upon distraction, what it means to de-create our creaturely self and 'get out of our own way', how philosophy treated religion as bonkers, and why he's drawn to the weirdness of Christianity. We also discuss how he's made a publishing career out of death, how we each faced our theoretical deaths and found liberation in their wake, the music he makes with his oldest friend, John Simmons, how Brian Eno's concept of a Scenius is hard to create virtually, how his life and his teaching have changed since the pandemic began, The Time He Got To Meet Nick Cave (grr!), and a lot more. Follow Simon on Instagram and Facebook, and follow Critchley And Simmons on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Hail Satan! It's spooky season, and writer/editor Doug Brod joins the show to celebrate his fantastic new biography, BORN WITH A TAIL: The Devilish Life and Wicked Times of Anton Szandor LaVey, Founder of the Church of Satan (Hachette). We talk about the line between huckster and believer, the history of the Church of Satan, why Doug didn't want to puncture the mythology LaVey built around his life, and the fun of writing a chapter about Sammy Davis Jr. exploring Satanism. We also get into how LaVey's philosophy of self-deification and aesthetics managed to penetrate American culture, how Doug balanced reporting & cultural history for the book, the people he wishes he could've interviewed, how LaVey reveled in spreading his gospel to the post-punk/'zine generation in the '90s, what it takes to create one's own aesthetic world while still going out to Olive Garden, Doug's first book about '70s hard rock, and what it means to consider Satan as metaphor rather than incarnated being, and more. Follow Doug on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Author & essayist Sven Birkerts returns to the show to celebrate his fantastic new essay collection, The Miró Worm and the Mysteries of Writing (Arrowsmith Press). We talk about the estrangement of the everyday, the problem of other minds, how serendipity tells us something about where we are, authors' photos and self-mythologizing, moving house (& turning 70) during COVID, and the inspiration of Cortazar's Around the Day in Eighty Worlds. We get into the threat of AI to writing, reading, and thinking, opening up to ambivalence, why people find it so tough to say the word "soul", what he misses about teaching, Kierkegaard & Walker Percy's The Moviegoer & being on The Search, and wondering what Bob Dylan is like in the kitchen in the morning. We also discuss writers' homes & graves and the myth of inspiration, his new Sketches From Memory essays and how they've opened him up as a writer, how we build circles of affinity, how his father's career as an architect influenced his eye (but not his writing), why people find it so tough to say the word "soul", and more. Follow Sven on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With his phenomenal new book, A NATURAL HISTORY OF EMPTY LOTS: Field Notes from Urban Edgelands, Back Alleys and Other Wild Places (Timber Press), Christopher Brown shifts from novels into nature-writing/memoir/nonfiction mode and I am HERE for it. We talk about the eco-cosmos of East Austin, TX, the years of observation that opened him to the hidden pockets of wildness in urban environments, why solitude in nature is a myth, what we have to gain from taking a long walk, Long Time vs. the short presence of Anglos in Texas, how 2020's lockdown turned off global capitalism and showed how society might truly change, and how this book mutated from when we talked about it at Readercon 2023. We get into Bruce Sterling's unforgettable critique of his writing, the process of turning a narrative of colonization into one of decolonization, (eco)psychogeography & the Situationists, why he (begrudgingly) brought the personal/memoiristic into the book and how it helped him come to terms with himself, and what a workshop with horror writers taught him about the truth-telling power of non-redemptive storytelling. We also discuss the design flaws of the agricultural revolution, how his readers in different regions respond to his FIELD NOTES newsletter, the nature of mysticism and writing a narrative about transcending the self, hiking a Massachusetts marsh in summer with Jeff VanderMeer, and plenty more. Follow Christopher on Bluesky, Instagram and Mastodon, and subscribe to his FIELD NOTES newsletter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Artist Dmitry Samarov returns to the show to bail me out after a stressful couple of weeks and to explore his fantastic new book, MAKING PICTURES IS HOW I TALK TO THE WORLD, a survey of his art from the '80s to today. We talk about the process of selecting pieces for the book, what artistic legacy means to him, finding roots of his work in his childhood, and why the notion of 'progression' doesn't apply to his work. We get into the transformative experience of working at Tangible Books and how it's inspiring his new 'zine project, why he's culling a lot of his library and how he's deciding which books to keep, how his bookshelf paintings started to open him to abstraction, and why literary folks like Magritte but painters don't. We also discuss our monastic devotion to art and Antonio López García's devotion to painting his quince tree, why artistic memoirs tend to be no good but why not-great artists can be good critics, what it means to see his own books in thrift stores, how moving some furniture can change one's perspective, why he's against starting art with An Idea, and a lot more. Follow Dmitry through his newsletter and his podcasts, HU U NO and THAT HORRORCAST • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With Salinger's Soul: His Personal & Religious Odyssey (Post Hill Press), author and retired journalist/editor Stephen B. Shepard explores the life of JD Salinger and the hidden core of an author who became famous for avoiding fame. We get into why Stephen decided to chase this elusive ghost, why Salinger didn't make it into his previous book about Jewish American writers, whether he believes Salinger's unpublished writing will see the light of day, and why it was important that he approach the book as biography and not literary criticism (although he does bring a reader's voice to the book). We talk about the lack of sex in Salinger's fiction, the uncanniness of Holden Caulfield's voice, Salinger's WWII trauma, his rise to fame, search for privacy, abandonment of publishing, embrace of Vedanta & ego-death, and his pattern of pursuing young women, and how it all maybe ties together. We also discuss Stephen's career as a journalist and how it influences his writing, what he learned in building a graduate program in journalism at CUNY, the ways we both started out in business-to-business magazines (he went a lot farther than I did, editing Newsweek and Business Week), how journalism has changed over the course of his career, Philip Roth's biography and what it means to separate the book from the writer, and a lot more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Benjamin Dreyer joins the show to talk about the joy of good writing. We talk about his career as managing editor and copy chief of the Random House, his post-retirement perspective on that role, the authors he enjoyed working with, the success of his first book, DREYER'S ENGLISH: An Utterly Correct Guide to Clarity and Style (Random House), and his plans for the followup, DREYER'S FICTION (!). We get into why he's leaving NYC and looking forward to Santa Monica (and talk about the books that he can leave behind and those he can't), the way that writing a Substack newsletter has made him a better writer, how the copy-editor's role is to enhance the writer's work, not to reshape it, whether his online persona changed after retirement, his love of digressive footnotes, how he feels about "weird" catching on this election season, whether the success of Dreyer's English surprised him, the moment he KNEW it was a hit, and what his authors had to teach him about the process of writing his first book. We also discuss the tension within the pronoun section of DE (c.2019), how he hopes to revise it, and why the mind needs to catch up with the soul sometimes. All this & a lot more, so go listen! Follow Benjamin on Bluesky, Facebook, and Instagram, and subscribe to his Substack • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Nicholas Delbanco returns to the show to celebrate his 32nd book and his first true foray into memoir (or ME-moir), STILL LIFE AT EIGHTY (Mandel Vilar Press)! We talk about how the rediscovery of the 40-page history of art he wrote at eleven years old (!) sparked this project, how he built the book as a mosaic, why he centers it around the homes, totem-objects, and writers in his life, and why he wanted his first memoir to be an act of gratitude rather than a list of complaints. We get into decision to part with some of his library and the books he regrets selling, his long-term interest in literary and artistic reputation and how its study helped him navigate the transition from "promising" to "distinguished" writer, his writing practice and process, and what he learned when recently revising a series of his early novels. We also discuss his embrace of compression and restraint in his later writing, why he'll write a fictional character's poetry but doesn't write poetry on his own, what his family's history and business taught him about the balance between the dutifulness and risks of art, his surprise at how quickly John Updike's reputation waned, what he's learned in his 80s, and a a lot more. More info at our site • Catch up on my 2017 and 2022 conversations with Nicholas • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Cartoonist and animator Dash Shaw returns to the show to celebrate his phenomenal new graphic novel, BLURRY (New York Review Comics). We talk about the decompressed mode he brought to this book, the turning points we encounter in the most mundane situations, his focus on the microscopic moments of doubt we have between two very similar things, and how he settled on the idea of structuring the book around nested stories (& figured out to thread them together by the end). We get into the 2x2 panel regularity of every page of Blurry and how that allowed him to build the book, how the experience of making a Clue miniseries changed his comics-making process, and how Blurry felt like he'd been playing a video game for a long time and then discovered a bonus level. We also discuss his film-making process and how that contrasts with the isolation of making comics, the ways his work tends toward collage, why naturalistic dialogue is another form of stylization, what it was like to grow up in a comics-friendly house, and a lot more. Follow Dash on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Comics journalist Jess Ruliffson joins the show to talk about the origins of INVISIBLE WOUNDS (Fantagraphics), her collection of stories from veterans of the wars in Afghanistan and Iraq, but we wind up talking about guys' butts, among other things. We get into her focus on male vulnerability, the Tim Hetherington photos that led her to make Invisible Wounds, the differences between soldiers who enlisted pre-/post-9/11, what it's like to come home from war with no idea what to do next, and the new comics she's making with her husband, Ernesto Barbieri, about his work as an ICU nurse. We talk about her upbringing in Mississippi, what she's learned about interviewing and how stories sometimes take shape in retrospect, whether it's "permissible" to tell stories about people in a different demographic, the common thread of moral injury in her work, how she met her husband through an MFA open house, and how she found her way into comics and journalism. We also discuss her frustration at not drawing the butts she wants to draw, her experiences teaching comics and learning to give her students permission, what she's learned from making the Terrible Anvil podcast with Tom Hart, why her therapist insisted she never make a memoir, and more! Follow Jess on The Terrible Anvil podcast • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

For my 600th episode, the great artist Joe Coleman joins the show to celebrate his phenomenal new career-spanning retrospective book, A DOORWAY TO JOE: The Art of Joe Coleman (Fantagraphics). We talk about art, mortality, mythography, history, the corruption of the flesh, the nature of evil, his Odditorium & the power of relics, Dr. Mombooze-o's send-off for his dead parents, playing Whac-A-Mole with T-cell lymphoma, getting arrested for being an Infernal Machine, taxi-driving in NYC's Travis Bickle era, the inspiration of the Hubble telescope, the pagan Celtic roots in Irish Catholicism, what it's like to work on one square-inch of a painting for 8 hours at a time, our respective appearances on the Uncle Floyd Show, playing in the Steel Tips with Patrick McDonnell & Karen O'Connell, and how he found his love and muse in Whitney Ward. (Also, this one's got an interminable intro, so jump to the 15:45 mark to start the conversation.) Follow Joe on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

This one's all about legacies: familial, literary, cultural & institutional! Mirana Comstock joins the show to celebrate the publication of The Algonquin Round Table: 25 Years with the Legends Who Lunch (Excelsior Editions/SUNY Press), by her grandfather, the late literary lion Konrad Bercovici. We get into how Mirana discovered this manuscript, what it meant to edit it & write the intro, what it was like to help bring the Algonquin scene & Konrad's writing to life for a new generation of readers, and the experience of growing up in a multigenerational household of compulsive artists & writers. We talk about why her grandfather's immense literary stature diminished, the nature of charisma and The Aura, the scandal of Chaplin stealing Konrad's script for The Great Dictator, how the Algonquin habitués were the influencers of their time (only with something to say), how the Algonquin scene was like Vienna café society transposed into New York & American capitalism, Mirana's discoveries as she researched the figures in the book, and why there'll never be another book like this one. We also discuss the New-York Historical Society's acquisition of Konrad's papers, her New York and how it's changed, her idea for transforming her family's writing into a meta-stage production, and a lot more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Artist & illustrator Anita Kunz returns to the show to talk about how art saved her life, as we catch up on her fantastic books, ORIGINAL SISTERS and STRIKING A POSE: A Handy Guide to the Male Nude (Pantheon and Fantagraphics, respectively). We talk about Anita's passion for figure drawing, how disconcerted some male viewers were by Striking A Pose, the difference between drawing women and men and all the tension and dynamics that go into making art from each gender, and why Winston Churchill's granddaughter was none-too-pleased by his appearance in her book. We get into how her 2020 lockdown project of painting one portrait of a badass woman every day evolved into her Original Sisters series, how it feels to be closing in on 500 portraits (!), and how she keeps finding more badass women to paint. We also discuss her transition from an acclaimed illustration career into big art projects, how Barbara Nessim helped her find a gallery (and how she had to get over her fear of gallery owners), the book of parables & fables she's making, how it feels to see her Original Sisters in museum exhibitions (and how much she's looking forward to their big show at the Norman Rockwell Museum), the burden of having to be A Nice Girl In A Small Town growing up, how she makes great art while being racked with self-doubt, the importance of mentors and art-friends, and a lot more. Follow Anita on Instagram, check out the Original Sisters site, and listen to our 2021 conversation • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With his amazing new book, FEH: A Memoir (Riverside Books), Shalom Auslander explores how the judgmental disgust of FEH infected his life, and what it meant to get sick & tired of the disgust and outrage FEH-stival and look for a way out. We talk about the sense of shame, disgust and self-loathing at the core of our common story, why every bookstore should be called, 'You Suck', his friendship with the late Philip Seymour Hoffman and how they bonded over FEH, and how hard he's worked to find the un-FEH for his kids. We get into how story is our operating system (but what happens when there are bugs in the OS?), how the FEH machine came after his psychiatrist, the notion of misotheism, and his video series UNGODLY where he reads the Bible and asks, 'What if God is the antagonist?'. We also discuss his ultra-orthodox upbringing, how "Jewish heritage" has been subsumed by Holocaust memorials, his antipathy toward the pop-culture Anne Frank and how he rewrote her for HOPE: A Tragedy, his time in the advertising industry and how it led to his TV show Happyish, his bleak Peanuts parody strip that got Jeannie Schulz's approval, the neurological condition where blind people believe they can see and how it parallels our existential state of FEH, the realization that cynicism doesn't mean you're smart (just lazy), and a lot more. Subscribe to Shalom's Substack • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Artist & illustrator Maurice Vellekoop joins the show to celebrate his amazing new graphic memoir, I'M SO GLAD WE HAD THIS TIME TOGETHER (Pantheon). We talk about the midlife crisis that led to the memoir (and the subsequent crisis that almost made him give up), the joy and pain of putting his life on the page, his process of self-discovery as a gay man and an artist, and why his mother hoped she wouldn't live to see the book come out. We get into his (editor) partner's sigh that told him the first draft needed a drastic rewrite, the role sublimation has played in his art & sex life, his accidental technique for drawing himself crying, how the AIDS crisis did & didn't affect his life, his decision on how to depict sex in the book, the incredible color palettes he uses throughout the work, and the realization that he had a 500-page book on his hands. We also discuss life on Toronto Island and what it was like during lockdown, why he'd like to try stage design (just once), his Pride tradition, why publishing a book of erotica was a great stepping-stone for making a memoir, and more! Follow Maurice on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Historian, professor & author Laura Beers joins the show as we celebrate her important new book, ORWELL'S GHOSTS: Wisdom and Warnings for the Twenty-First Century (Norton). We talk about her course on Orwell and the making of the early twentieth century, how the post-Jan. 6 misuse of "Orwellian" inspired her to write this book, and her own path into Orwell. We get into Orwell's balancing act between freedom of speech and obligation to truth, what he meant when he wrote that he was "for democratic socialism, as I understand it," his family's history with Empire and his hatred of inequality, why my favorite of his essays, Inside The Whale, may be the most misunderstood Orwell piece of all (!), and why The Road To Wigan Pier might have the most influence on her. We also discuss the ways to reckon with Orwell's prejudices and especially his misogyny, why students are still coming into college with Animal Farm under their belt, Laura's trip to Barcelona to follow Orwell's steps in the Spanish Civil War, how her chapter on gender involved some deep, critical reading and writing, how we should look at the "blacklist" Orwell provided to the Information Research Dept., how Laura's next book on the politics of infertility sort of dovetails with Orwell's Ghosts, and more! Follow Laura on Twitter and BlueSky and listen to her on Progressive Britain • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Author, publicist and partially involved narrator Robert Pranzatelli joins the show to celebrate his amazing new book, PILOBOLUS: A Story of Dance and Life (University Press of Florida). We talk about the origins of the legendary Pilobolus dance company, his transformational first experience seeing them in 1997, the workshops he took with them and the friendships they engendered, and the "itchy fingers" moment when he realized he had to write their history. We also get into Pilobolus' unique melding of improvisation and dance technique, the joyful challenge of describing their dance pieces on the page, the importance of capturing the time capsule of Pilobolus' '70s roots (and covering All The Affairs, along with the friendships and fallings-out), how Pilobolus was taken seriously by dance critics long after audiences flocked to them, the company's through-line in its 50+-year history and how they managed to continue the tradition of something that was based on overthrowing tradition. Plus we discuss Robert's history as a writer, how Metal Hurlant & Moebius blew his mind as a teen, how he became a book publicist at Yale University Press, his narrow-focus mode of reading, his greatest eBay score, why he got choked up while reading a text he sent Pilobolus' artistic directors after a performance, and more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With That's Some Business You're In (Zoop), cartoonist-humorist-author Bob Fingerman has created a career retrospective to celebrate (lament?) his 40th year in comics. We got together in LA to talk about that milestone, what it meant to him to bring together decades of his comics, art, and illustration into a single volume, the challenges of writing the narrative to his work-life, and what he learned from looking at the arc of his career. We get into the 'maybe someday' vibe of the big projects he wants to tackle, the process of getting over his younger shame at making comics for, um, 'lower-prestige' (but well-paying) magazines, the distance he needed on his best-known comic, Minimum Wage, the artist's retrospective he really wants to see, why he enjoys creator-owned work instead of someone else's IP, and his true artistic goal. We also discuss the life-changing stuff — like addressing the tension between narcissism and imposter syndrome, the nature of change, the toxicity of NYC, and the need to leave a better memory — while we talk about life in LA, the writers who blew him away and how he can't begin to emulate them, the way his characters changed from punching bags to people, the joy of hummingbirds and small dogs, and a lot more. Follow Bob on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Author & illustrator Swan Huntley joins the show to celebrate her two new books, I WANT YOU MORE (Zibby Books), and YOU'RE GROUNDED: An Anti-Self-Help Book to Calm You the F*ck Down (Tarcherperigee). We talk about how ghostwriting a memoir for a Real Housewife of New York led her to write I Want You More, a thriller novel about fame, identity, and murder, why she uses the first person in fiction and loves the challenge of lying to the reader, how we're seen by others and how we want to be seen, and the fun of writing thrillers and melding character with a big plot. We also talk about how You're Grounded took shape as a melding of words and drawings, how she settled on "anti-self-help", how her various addictions shaped her identity and what it meant to be herself as she overcame (some of) them, how taking up drawing in a writing lull helped bring out different voices, and the need to calm the f*ck down. We also discuss the creation of identity vs. the discovery of identity, why she biked the El Camino pilgrimage solo, the memoir she's working on, the nature of celebrity & our reactions around famous people (& her upcoming essay, "My Best Friend Is Famous"), how she found her place in Los Angeles, and more. Follow Swan on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Legendary cartoonist & artist Stan Mack pioneered documentary comics and bought New York's multitudes to life with Stan Mack's Real Life Funnies (RLF) in the Village Voice, and now he joins the show to celebrate the publication of STAN MACK'S REAL LIFE FUNNIES: The Collected Conceits, Delusions, and Hijinks of New Yorkers from 1974 to 1995 (Fantagraphics)! We talk about winnowing down 1,000+ RLF strips to 275 for this book, the comic's secret origin and how we share some Milton Glaser conceptual DNA, what he learned about cartooning and storytelling, the creeping realization that people were actually reading RLF, and how he and the comic grew over 20+ years. We get into whether Real Life Funnies and its snippets of street dialogue could work today when everybody just stares at their phones, how his pre-Voice stint as art director at the New York Herald Tribune made an editor out of him, the moment he realized he was a New Yorker, how he became an activist and used RLF to highlight the squatters' rights movement, the AIDS crisis, and more in NYC, how important the Village Voice was to the city and to America in the '70s and '80s and why we need to bring it out of the pre-digital memory hole (a la DW Young & his new documentary, UNCROPPED), Stan's failure as a backup dancer for Lionel Richie, and a lot more. Follow Stan on Facebook, Instagram and YouTube • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With his amazing new book, Deaths of Artists (Blast Books), archivist Jim Moske explores art, mortality, media, fame and our secret lives. We talk about his chance discovery in the Met Museum's archives of century-old scrapbooks filled with artists' obituaries, his attraction to the obits' tabloid poetry, and how he fell down the rabbit-hole of figuring out the scandalous, redemptive life of their compiler, Arthur D'Hervilly. We get into what these obits — and D'Hervilly's life — can teach us about art and artistic reputation, the challenges of working with 100+-year-old newsprint, the aesthetic pleasure of historical records, and why Jim considered doing this project as a 'zine (just like last week's guest!). We also discuss how he got started as an archivist, his favorite phases of the Met's history, how artists have responded to his book, his archive of illegible historical documents (!), the impact of digitization and electronics on the archivist field, what we lose when materiality goes away, the oblique influence of Bolaño's 2666 on Deaths of Artists, and how D'Hervilly's art-obit collection became a chronicle of the democratization of art. Follow Jim on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With his amazing new book, THE WORK OF ART: How Something Comes From Nothing (Penguin Press), hall-of-fame magazine editor Adam Moss explores the artistic process by interviewing more than 40 creators about the evolution of a piece of their art. We talk about the archeology of early drafts and sketches, why he took up painting and how its vexations drove him into making this book, what it's like to tour artists' heads, the creative benefits of "the bounce," the differences between collaborative and solo art-making, and the dizzying iterations of a single artwork by Amy Sillman. We get into where his 40-year magazine editing career began (and where it ended), the process of figuring out how to write and edit his own prose for this project, the incredible design project of bringing The Work Of Art to life as a museum of creativity (& its early life as a 'zine), what happened when he pitched Warren Beatty on this project, and his ongoing attraction to the artifacts of artists in the midst of artworks. We also discuss why I may be the ideal reader for this book, how the introspection of COVID & lockdown influenced The Work Of Art and its subjects, what he learned about interviewing (& which subject intimidated him the most), how he finally learned to stop waiting for a catharsis and learned to take joy in the making of art rather than the finished artwork, and plenty more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With WINGING IT: Improv's Power & Peril in the Age of Trump (Spring Publications), author, professor & philanthropist Randy Fertel explores the role of improvisation & spontaneity in the arts, sciences & culture. We talk about what drew him to the conflict between reason and intuition, the importance of "Yes, And" in more than just a comedic context, the neuroscience of Hot and Cold Cognition, and the moment in graduate school that started him down this path 50 years ago. We get into what improvisation really is, how it underlies creativity and innovation, how Trump embodies its dark side, and how his upbringing in New Orleans may have contributed to his improv-epiphany. We also discuss how canonical authors & works began as outsiders, why the essence of improv is disruption, the importance of ego death and unmediated experience (and why he futilely took heroic amounts of hallucinogens to prepare for a conference panel), the relationship of the Marvel Cinematic Universe to his archetypes, his love for Jon Batiste's 2023 Jazz Fest set, his next project exploring the emergence of global pop culture, and a lot more. Follow Randy on Twitter, Facebook and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

For more than 40 years, the breathtaking pictures of photographer James Hamilton have chronicled New York City and America (and a couple of war zones), and now the amazing new documentary UNCROPPED (Greenwich Entertainment) by director D.W. Young has launched a rediscovery of James Hamilton's work, life & times. D.W. rejoins the show to talk about how James' career at the NY Herald, Village Voice, and NY Observer opened the door to a a bigger story about NYC, arts/culture and media, how NYC has changed and how the culture adapts, and how young viewers react upon learning about the city's vibrant newspaper & alt-weekly scene that preceded the internet. We get into the difference between empathy & formality in photography, how after D.W.'s previous movie (The Booksellers) he really didn't want to make another NYC film but wound up making the MOST, James' shift from film to digital (and why some of UNCROPPED is shot on film), why sit-down interviews in documentaries get a bad rap but why they can be so valuable, and how Wes Anderson ended up being interviewed in the movie in a largely empty room. Plus we discuss D.W.'s first post-lockdown movie-theater viewings, the relief of making a short narrative film (Dancing on the Silk Razor) in the midst of making Uncropped, what he learned from making The Booksellers (and what he had to unlearn), why it's a travesty that the Village Voice archives aren't digitized, and a lot more. Follow UNCROPPED on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Author-playwright-screenwriter-poet Jen Silverman returns to the show to celebrate their amazing new novel, THERE'S GOING TO BE TROUBLE (Random House). We get into how Jen accidentally stumbled into the 2018 Gilets Jaunes protests in Paris and triggered this new book, the ways we're shaped by our parents' failures and secrets, the many routes of radicalization, and the theatricality of protests, how they draw people in (with a boost from Théâtre du Soleil), and how they contrast with theater itself. We also talk about the role of art in understanding the times, how Jen's stories start with character, their work on Tokyo Vice and how TV writing differs from other storytelling modes, what it means to protest alongside someone whose politics you disagree with, and what the pandemic era has taught them about community. Plus we discuss the nirvana of MacDowell Colony, learning to use research without being beholden to it, ways to be an effective, engaged human (not just engaged/enraged), the contrast between book and theater critics, the existential question of the past few years, and, oh yeah, whether or not people can change. Follow Jen on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With Reading Shakespeare Reading Me (Fordham), professor Leonard Barkan blends memoir and deep reading of Shakespeare's greatest plays to explore his lifelong relationship with literature and the way(s) we use art to construct our identities. We get into what it means to read, hear, perform, direct, teach Shakespeare, why it took him a lifetime to get to this book, how he contrasts himself with a radically naive reader (and why it's important to try to capture our naïveté), the gayness of Shakespeare's two Antonios, the many stories he couldn't tell until his folks were gone, and the role Shakespeare played in Leonard's gay coming of age. We also talk about Narcissism vs. Wissenschaft, his next book about the WWII loss of 434 paintings by the Great Masters (!), Cervantes' role as Shakespeare's literary peer, the on-stage therapy session he held at his career-celebration, and his stint as a theater director and what it taught him about teaching. Plus we discuss the strangeness of King Lear's opening scene, the eerie humor of Hamlet, the fraught subject of having kids, the glory & limitations of mimesis, how it felt to see his book The Hungry Eye on a bookshelf in The Bear, the lifelong struggle of living up to his promise, and a lot more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

After a ~10-year gap, Emily Raboteau rejoins the show to celebrate her amazing new essay collection, LESSONS FOR SURVIVAL: Mothering Against "The Apocalypse" (Holt). We talk about her sparkbird and the Audubon Mural Project in Washington Heights that center the book, her transformation into a climate activist, the joy of the flaneuse, her scavenger hunt for Justin Brice Guariglia's environmental art, and the idea of pain with a purpose. We also get into the differences between mothering & motherhood, the reason she put "the Apocalypse" in quotes in her subtitle, how COVID lockdown made her realize her kids' lives had been overscheduled (and how lockdown gave them some room to breathe), and the nor'easter-battered book-event in Princeton that corroborated her book's community-thesis. Plus we discuss her dream of interviewing Vivian Gornick, how we need to overcome pandemic-amnesia, the place her children really want to visit, how she's changed as a writer since we last talked, what the difference is between surviving and living, and a lot more. Follow Emily on Twitter, Facebook and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Photographer and writer Kyle Cassidy and actor and model Trillian Stars join us for a Bonus Episode to talk about their new Kickstarter, THIS IS ONLY EARTH, MY DEAR – POEMS & PHOTOS (closing May 4, 2024)! We get into their inspiration to make a book combining the poems of Pre-Raphaelite muse/model/artist Elizabeth Eleanor Siddal with photos of Trillian (in a Pre-Raphaelite mode), how the project changed once they began shooting in East London, how they found enough costumes for all the photos they wanted to take, why Lizzie Siddal was dismissed by the peers of her husband, Dante Gabriel Rossetti, and how modeling and acting overlap and differ (and why Kyle prefers shooting with actors). We also get into what they've learned from nearly a dozen Kickstarters, what stretch goals they're hoping to reach for this one, and why they want to give Lizzie Siddal the book she never got when she was alive. GO PLEDGE, and follow Kyle on LiveJournal (!?) and Instagram, and follow Trillian on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

At long last, artist Leela Corman joins the show as we celebrate her breathtaking new graphic novel, VICTORY PARADE (Schocken Books)! We talk about how the book brings together the women welders of WWII-era Brooklyn Navy Yards, professional wrestling, and her lifelong obsession with the Shoah, how discovering her watercolor style was like the portal between life and death opening, the art school experience that derailed her, and how the artistic ground start shifting beneath her as she got serious about her comics. We get into her life-defining visit to the Philadelphia Museum of Art, the sacred responsibility of teaching, the influence of New Objectivity (& a bazillion other styles and modes of art & storytelling) on her work, why she brought characters from her earlier GN Unterzakhn into Victory Parade, her twin polestars of Primo Levi & Lisa Carver, and her music-comics collaboration with Thalia Zedek. Plus we discuss the Gen X practice of warts-and-all autobio comics, transgenerational trauma and the next book in her 'Birnbaumiad' triptych, the BS of artist's statements, the revelation of Neko Case's music, and a lot more. Follow Leela on Bluesky and Instagram, and support her work on Patreon • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

How did an eBay search lead to the discovery of a lost classic of comics? How can art help us build a better America? Artist and teacher Keith Mayerson joins the show to talk about co-editing the amazing new book, Frank Johnson: Secret Pioneer of American Comics, Vol. 1 (Fantagraphics) and his multi-decade "wordless novel" in paintings, My American Dream (Karma). We get into how Frank Johnson made thousands of pages of comics in private, never published, and may have created the first American comic-book in history, whether he constitutes an Outsider Artist, how his creative legacy contrasts with Henry Darger's, and what it means to make a lifelong body of work with no sense or expectation of a readership. We also get into Keith's My American Dream project, its roots in 9/11 & the GWBush era, how his paintings play off of each other like panels in a comic (and how the curation of art exhibitions is a form of comics), the mash-up of key cultural figures of modern America, his art-subject trinity of James Dean, Elvis, and Keanu Reeves (and his story of meeting Keanu), how My American Dream works to synthesize aspects of Warhol & Rembrandt (& Haring), and the vitality of his painting of Kermit the Frog on a bicycle and the significance of the Muppets in his vision of America. Plus we discuss Keith's art & comics upbringing, the process of building comics programs at SVA and USC, his cult classic queer horror graphic novel with Dennis Cooper, the artistic act of suturing in to his subjects, why the job of art is keeping hope alive, how he felt when he found a parallel, secret history of comics taking place solely in one person's mind, and a lot more. Follow Keith on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Classicist Edith Hall joins the show to talk about her fantastic, important new book, FACING DOWN THE FURIES: Suicide, the Ancient Greeks, and Me (Yale University Press). We talk about the taboo of talking about suicide, how that taboo can lead to transgenerational damage, how that compares to the family curses in Greek tragedies, and what the Tragedians have to teach us about life (and death) today. We get into her grandmother's suicide and her mother's conspiracy of silence around it, her own suicidal ideation and how Heracles Mad helped her through her worst phase, the way Facing Down the Furies sprung from Edith's previous book, Aristotle's Way, the process of researching her family history after her mother's death, and how Philoctetes embodies It Gets Better. We also get into the gender difference of existentialists and the crappy behavior of male philosophers, the gender difference in our readings of Alcestis, why she's Team Iliad (and supports my reading of Achilles' tragedy), the one Greek tragedy that she wishes survived to reach us, and a lot more. Also, I go LONG in the intro about some family stuff that came up in the lead-in to this episode. It should go without saying: content/trigger warning if discussions about suicide are a problem for you. Follow Edith on Twitter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

LEAN INTO DEAN! Cartoonist, playwright, schmoozer, etc. Dean Haspiel returns for a Bonus Episode to talk about his new Kickstarter, THE RED HOOK X DEAN HASPIEL (closing March 28, 2024)! We get into why he's making the plunge into Meta-Mem-Noir and bringing Dean Haspiel as a character into his New Brooklyn comics universe, what it's like to be part of the story, and how this podcast is also becoming more autobiographical with each passing week. Plus, we talk about getting old and not being able to stay out all night (even though he tried this weekend), what it's like to treat comics as a reductive art rather than a rendering one, the play Dino's working on, what he's learned from his previous Kickstarter projects, Covid Cop and Billy Dogma and Jane Legit, why he's holding off on reading the finale of Howard Chaykin's Time2 project, and more! Follow Dean on Substack, Instagram and . . . LiveJournal!? • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With his brand new collection, THE WEREWOLF AT DUSK and Other Stories (Liveright), David Small brings us a trio of stories about the beast within (that is, within the heart, within the psyche, and within the body politic). We talk about the on-and-off 40-year history of this collection, the themes of transformation and aging that suffuse these stories, and the schism in Leonora Carrington's estate that nearly derailed the whole project. We get into the the challenges of adapting prose fiction into comics, his move from graphic novels (think Stitches and Home After Dark) to short stories, why he's come to love drawing digitally, and just how bad most surrealist fiction can be. We also discuss the decline in kids' books, our respective life changes from 2020's COVID check-in, his Truman Capote kick, how we deal with monstrous artists, how hard he has to work to make his drawings look like they were done in 15 seconds, and a lot more. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With RADIANT: The Life and Line of Keith Haring (Harper), Brad Gooch brings us the biography of Keith Haring, an artist who transformed public art & the art world in the 1980s and whose work has become part of global culture in the three decades since his untimely death from AIDS. We get into Brad's common threads with Haring, the parallels between this book and his biography of Rumi, how fatherhood helped Brad better understand Haring, and his surprise at discovering what a serious artist Haring was. We talk about why Haring's work makes more sense now than in the '80s, what he would have made of social media, the fire that drove him to make more than 10,000 pieces of art in his decade-plus career, the relationship of Haring to artists of color (among other race issues), where the Radiant Baby image came from, and what the younger gay population doesn't know about the AIDS crisis. We also discuss the incredible memorial of Keith and Howard Brookner at a recent Madonna concert, why 60 is a great age to start having kids, how Instagram reminds him of '80s social life, the parallels between the AIDS crisis and the early months of COVID, what Brad's learned in the course of writing four biographies, why Barbra Streisand's memoir reminds him of Karl Ove Knausgaard's My Struggle (!), and more. Follow Brad on Instagram and listen to our 2015 and 2017 conversations, and check out the Nakamura Keith Haring Collection • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

No conversation this week, except for our host, Gil Roth, in conversation with some virtual memories of his own! On the occasion of going to the movies for the first time since 2018, to see Wim Wenders’ amazing new film Perfect Days, he reflects on a cusp-of-pandemic trip to Japan. This one’s got Keith Haring & Koji Yakusho, a misplaced fortune, The Tokyo Toilet, an empty parking lot, Country & Western, a special 5K run, a big bag of Kit-Kats, and more, so give it a listen. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With his fantastic debut novel, PLASTIC (Pantheon), Scott Guild brings us a dystopian future of eco-terrorism, meta-reality, and . . . a world populated by plastic figurines who break out in song? We talk about the 10-year process of writing the book, how he found the stylistic elements that made it work, and why making the lead characters plastic let him bring comedy into his apocalyptic vision of the future. We get into Scott's history as a musician and how songwriting differs from fiction, the album he made (with all sorts of great artists) to accompany the novel, why he'd love to do live performances of it, and how the songs changed genre from the ones in the novel. We also discuss his writing influences, esp. Kafka & Plath, why he dedicated PLASTIC to his high school English teacher, how he accidentally created his own Barbenheimer (the Barbie movie created a conceptual entry point for readers, but the characters are under the Oppenheimer-esque shadow of a nuclear war), why he didn't show his novel to his wife until 3-4 months before their wedding, whether he played with dolls as a kid (spolier: we both did), who wins in the Dostoevsky-Tolstoy Steel Cage Match, and a lot more. Follow Scott on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

What is the meaning of Cleveland? Cartoonist Aaron Lange joins the show to talk about AIN'T IT FUN: Peter Laughner & Proto-Punk In The Secret City (Stone Church Press), his breathtaking new graphic novel that weaves together obscure records, urban legends and psychographic history. We talk about Aaron's fascination with Cleveland's punk scene, why the musician Peter Laughner stood out to him, the way Cleveland's hidden landmarks pointed him toward this massive project. We get into the research and interviews Aaron conducted for Ain't It Fun, the process of editing this work into a looping, flaneur-like, discursive (but never aimless) narrative, and the influence of Greil Marcus' Lipstick Traces, Iain Sinclair's Lud Heat, and Adam Curtis' documentaries. We also discuss post-Laughner Pere Ubu, using graphic design rather than panel-to-panel cartooning, visiting the zodiac circle by the Cleveland Museum of Art at all 4 equinoxes, chronicling the city's brutalist architecture, the constraints of the comics market on a book that defies easy description, and a lot more. Follow Aaron on Instagram and support Stone Church Press via Patreon (which doubles as Aaron's blog) • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With Marcus Aurelius: The Stoic Emperor (Yale University Press), author & therapist Donald J. Robertson brings us the life and philosophy of the last of the Five Good Emperors. We talk about how knowing the life and travails of Marcus Aurelius helps one understand how to lead a Stoic life, how the Antonine Plague compares with our life in Pandemia, the reasons Donald found modern biographies of Marcus Aurelius wanting, and how this book brought him new understanding of the intricacies of Ancient Roman life and Marcus Aurelius' big decisions. We also get into the role of Stoicism in his own life and how that philosophy's been debased into the unhealthy "lower-case stoicism", the literal toxicity of being a tough guy, how Stoicism and its nuanced view of emotions inspired modern Cognitive Behavioral Therapy, why the psychotherapy field is resistant to acknowledging Stoicism's contribution, and why Freudians really disapprove (think symptom substitution). We discuss the importance of building emotional resilience and understanding one's value judgements, Robert Burns' role as a gateway drugs to Stoicism, the alternate history in which Socrates was part of Christian tradition, Donald's Eureka! moment and how he accidentally became a writer, how Wilko Johnson can help me live a fuller mortal life, and a lot more. Follow Donald on Twitter, Facebook and Instagram, and subscribe to his Substack and his podcast • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With her incredible new book, THE FURIES: Women, Vengeance, & Justice (Harper), journalist Elizabeth Flock explores the lives of three women who responded to violence with violence, and how they run up against the social institutions that seem designed to grind them down. We get into how the book grew from her interest in female vigilantes and her own experience of sexual violence, how she wound up reporting on the YPJ all-women army in Syria (but didn't tell her mom until a few days before flying out there), how we try to reconcile revenge and a just world, and how cultures of honor wreak havoc on women and men. We talk about how she balanced reporting with the near-mythic characters of some of her subjects, what she's learned over 15+ years in journalism (including how not to re-traumatize her subjects as they tell her their stories), the mind-body connection & how wrecked her body got by the time she finished writing this book, and how she went into this book starry-eyed and came away with a muddied picture. And we discuss how flexible podcasts are for journalistic storytelling, how women and men have responded to The Furies, what it was like reporting during the pandemic, guns & gun culture (& my embarrassing gun story), that time her dad took her to a murder scene when she was a kid (tbf, he was a journalist), having her first child a few months ago, whether things are getting a little better for women, and a lot more. Follow Liz on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Hey! Anything good on TV? No? Then listen to legendary film critic David Thomson as we discuss his amazing new book, REMOTELY: Travels in the Binge of TV (Yale University Press)! David & I get into how TV has changed and how it's changed us, the communal experience of going to the movies vs. sitting on the sofa, the ways his relationship with his wife deepened in front of the tube during lockdown (and why he gave her some of the best lines in Remotely), and the personal, political, & social implications of watching crap over a long period of time. We talk about falling into the stream of streaming, how advertising was the snake in American TV's garden, BBC's very strange exception for its licence fee, the courage in actually writing about what he's watching (even though Remotely isn't a critical guide), and what made Ozark special to him. We also discuss Clive James' transformation of TV criticism, the end of a golden age of TV, the importance of live sports events, the joy of seeing Barbie in a packed theater, how everything points to a world where no one is in charge, and a lot more. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

With his graphic novel, BLOOD OF THE VIRGIN (Pantheon), Sammy Harkham tells a story of personal and professional disintegration, against the backdrop of exploitation movies and the Iraqi Jewish diaspora in '70s L.A. We get into the obsessions and family lore that drove him to make the book, why it took him 14 years to complete it, what it means to focus on the 'novel' part of 'graphic novel', and how craft is always trying to catch up to ambition. We talk about the need to get past the cliches of the 'inside Hollywood' story, what he learned about his process over the course of making this book, why he didn't read the earlier chapters until he finished the story, and the John Steinbeck advice that got him over the finish line. We also discuss his comics upbringing, his thoughts on the late Joe Matt, the Jim Woodring panels that have haunted him for decades, the joyful anxiety of not knowing what his next project will be, and a lot more. Follow Sammy on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

The great cartoonist and humorist Ed Subitzky gets his long-delayed due with the new collection, POOR HELPLESS COMICS! (New York Review Comics). We talk about Ed's amazing career at National Lampoon, how he developed his "can't draw' style after taking a cartooning class with RO Blechman & Charles Slackman A DOZEN TIMES, how the Rapidograph became his Excalibur, and why this collection includes some of his favorite prose pieces alongside all the comics. We get into how he began experimenting with the form & structure of comics, his lifelong curiosities for science and philosophy and how he wound up getting published in the Journal of Consciousness Studies, his longtime career writing direct marketing pieces, and how it took preparing this book and looking back at his work for him to realize his comics were really funny. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Did you make a 2024 resolution to put down your phone? This week's guest might make you rethink that! Chris Silverman has been making gorgeous, weird, haunting artwork daily for more than 2 years, using only his iPhone's Notes app and his fingertips. We get into how #notesArt began, how it's evolved, what his drawing process is like, what it's been like to build an audience for his art, and how viewers bring their own meanings to his #notesArt. We talk about the challenges of keeping up a regular art practice (daily!), how upgrading to iOS17 jump-started his new creative phase, the artists and cartoonists who influence him, whether Undo is his friend or enemy, his fascination with traffic lights, empty buildings, and masks, and the subconscious burbling that gives birth to the images he draws. We also share our thoughts on mortality, authenticity and identity, what it means to share your art with the world, the pressure that comes when someone is watching, and a lot more! Follow Chris & #notesArt on Instagram, Mastodon, Glass, and at notes.art • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Our host, Gil Roth, closes out 2023 with the story of a week of transformations! This one's got a Yom Kippur fast gone trippy, and a bathroom-door-induced concussion, a lightning-bolt realization about grief and mourning, a secret mission at a comics festival in Ohio, the Book of Life & the books of the dying, a pharma conference, crying eyes and deaf ears and a mess of signs & portents, plus a dwarf, a salamander, David Koechner and a lot more. But seriously, it's about coming to terms with the loss of a dear friend, and what it means to know you're not alone, so give it a listen. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our newsletter

Seventeen of this year's Virtual Memories Show guests tell us about the favorite books they read in 2023 and the books they hope to get to in 2024! Guests include Ho Che Anderson, Josh Bayer, Howard Fishman, Priscilla Gilman, Bill Griffith, Dean Haspiel, Sara Lippmann, Patrick McDonnell, James McMullan, Lisa Morton, Jonathan Papernick, Andrew Porter, Dawn Raffel, Paul B. Rainey, Peter Rostovsky, Scott Samuelson, and Karl Stevens (+ me)! • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and by subscribing to our Substack

For the last guest-episode of 2023, art critic Jarrett Earnest joins me to celebrate his beautiful new book, VALID UNTIL SUNSET (Matte Editions), which brings together his Polaroids and a second-person narrative to create a bewitching trip through memory, art, grief, friendship, and more. We talk about how the sudden death of his father paralyzed and then catalyzed him, the importance of making art before fully recovering from a bad experience, how the artist's job is to be a question mark, and how a Nan Goldin exhibition started him on taking pictures of the people and places that mattered to him. We get into his friendships with Genesis P-Orridge and Peter Schjeldahl, and Genesis' imprecation to do/make/be the Most Fabulous Imaginable Version, the importance of road trips and pilgrimages, what he learned from interviewing a series of art critics, the freedom & addictiveness of writing in the second person, why we need to make an argument about why any art matters at all today, and why he loves writing about artists he knows. Plus, we discuss the value of public-facing life in NYC, how it felt to perform selections from Valid Until Sunset, how he thinks of writing in terms of shape, the importance of having a really good analyst and really dumb personal trainer, why you don't need to be part of Barbenheimer, and a lot more. Follow Jarrett on Instagram and subscribe to his Substack • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With his new book, ZERO AT THE BONE: Fifty Entries Against Despair (FSG), Christian Wiman fuses essay, poem, memoir and anthology in a singular work that explores how the act of writing a poem is a gesture of faith. We talk about the varieties of despair and joy, the question of whether the world is chaos or has order, and whether the relationship between art and life is a tension or an actual antipathy (as Henry James would have it). We also get into the urgency of mortality and the rare cancer that almost killed Christian on three separate occasions (including this year), the notion of having a calling and the difference between given and earned callings, who we're really trying to reach when we write a poem, whether Philip Larkin's Aubade is a poem of pure despair, how literature has taken the place of sacred texts, and what he's learned from teaching at Yale Divinity School. We also discuss The Void & how to tune it out, his thoughts on faith and Christ and how the incarnation of God in Jesus sacralizes the physical world, where poetry began for him, whether joy is passed down epigenetically like trauma (allegedly) is, what it's like having a Ninja Blender for a brain, coming around on poets in translation like Yehuda Amichai, the meaning of existence, and a lot more (I mean, if you can have a lot more after the meaning of existence). More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack